One of the outcomes of the new calculations was that the LOMO LC-A had become a few grams lighter as the extra parts which were intended to attach accessories to the camera were removed. So for example, on a LOMO LC-A produced before 1997 you would find two small contacts on the bottom right side of the camera, which were designed to act as an electronic interface for a possible motor drive attachment.
One of the outcomes of the new calculations was that the LOMO LC-A had become a few grams lighter as the extra parts which were intended to attach accessories to the camera were removed. So for example, on a LOMO LC-A produced before 1997 you would find two small contacts on the bottom right side of the camera, which were designed to act as an electronic interface for a possible motor drive attachment. In the eighties motor drives were a customary camera accessory and were fitted to the bottom of the camera – they wound the film on automatically, which enabled you to quickly shoot a series of photos without manually having to wind the film on.
Resuming production also meant that the visible range setting by the view finder was also removed. On earlier produced LOMO LC-A’s you could look through the view finder and by means of a small measuring stick you could see what distance you had set (0.8m, 1.5m, 3m or infinite). However, as Lomographers rarely need to look through the view finder, this lovely function, which had been developed by the optics calculator Irina Sowz, was omitted from newer models of the LOMO LC-A.
Reuben Wu fascinates, both with his splendid photographs and the music he churns out for electronic band Ladytron, or when he's doing a solo gig as a DJ. He's also one heck of a nice guy, who, despite being ultra-talented, has been gracious enough to grant another interview and share more of his amazing photos,which were taken with the Lomo LC-A+ with Russian lens.
These photographs not only provide a rare glimpse to the Russian Empire as it was more than a hundred years ago, they also are outstanding examples of a now obsolete photography technique. Learn the story behind Sergei Prokudin-Gorskii's photographs and how they were taken after the cut!
Alison Scarpulla is an enormously talented photographer from the USA who utilizes experimental techniques such as multiple exposures and film soaking to create surreal, evocative and emotional shots. After previously featuring some of her work in the Lomography magazine, we were ecstatic that she accepted our offer to shoot with the LC-Wide to create some brand new photos. Read on for our exclusive interview with the woman behind such amazing photos, which you will see after the jump!
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
"At the edge of the Earth" is an ongoing yearlong project by documentary photographer Markus Andersen in which he captures the coastline of Sydney, Australia on black and white film with the Diana and Lomo LC-A cameras. In this interview, the Sydney-based photographer opens up to Lomography about his latest endeavor as well as on shooting on the streets of his city and the importance of photographing in analog.
In 1958 the great photographer Robert Frank took a series of images of New York's street life with a Leica camera from a bus window, as in these series of photos that I took in my city Como with my trusty Lomo LC-A loaded with a Kodak Tri-X film. This is a tribute to a great camera and to a great photographer! Read more after the jump!
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Among many equally enticing choices, Paula picked the Diana Mini as her first Lomography camera because of its adorable size and cuteness. Although she now considers her trusty LC-A+ as her inseparable friend, she still misses having that distinct dreamy Diana Mini charm in her snapshots. Read on to find out more about Paula Gómez, or paula412 in our Community, and her First Lomo Affair with her Diana Mini!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)