I was bored with always having 9 identical images from my Pop 9 camera and while waiting for a new POP 9+ camera that allows multiple exposures I had the idea of making a multiple exposure film playing with some black tape to darken some of the 9 lenses. The greatest difficulty is to reload the film so that the second exposure matches in the best way possible the first one to recreate the usual 3x3 image grid.
I was bored with always having 9 identical images from my Pop 9 camera and while waiting for a new POP 9+ camera that allows multiple exposures I had the idea of making a multiple exposure film playing with some black tape to darken some of the 9 lenses. The greatest difficulty is to reload the film so that the second exposure matches in the best way possible the first one to recreate the usual 3×3 image grid.
I solved this problem by sticking the grid over the lenses so that each time the new exposure does not match the previous one. To emphasize the final effect you can also put some colored gels over the flash to create a multi-colored explosive Pop experience! At the moment I’m working with a 4+4+1 triple exposures pattern and in the future I also want to try a 9 times multiple exposure film for a total of 324 different images (9 images on each photo) on a 36exp film!
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
Hi, everyone! I'd like to share with you my 2014 summary on analogue photography. Some things I did were completely new, while some were my good old habits. This year I learned how to develop black and white film, which I consider my greatest milestone. But the most important thing is that in 2014, I remain in love with Lomography! And the rest? Well, let's see...
Pssst, have you heard the latest? We're unveiling a brand new product very soon, and while we can't give you any strong clues right now, we hope that you can still try to guess what it is. In honor of this mystery product, we'd like to reiterate why Lomography's 10 Golden Rules is perfectly applicable to street photography.
On the occasion of the German DVD release of Wim Wenders' latest documentary, "Das Salz der Erde (The Salt of the Earth)," on April 9, we asked you to send us your best black and white photographs. You have done your best and so making the decision was quite difficult. Read on to find out who will be celebrating with DVDs and piggies!
Mark Scadding and William Paltridge form Double Exposure Photographic and are based in the South of England. They have used the Petzval lens extensively for portraiture and a few food photography shots. We were intrigued to know more about this creative duo and asked them about shooting with this exciting lens.
Enjoy a truly analogue moviemaking experience with Lomography's 35mm movie camera and an accompanying accessory to watch your films with. View your masterpieces in the most analogue way possible with the LomoKinoscope. Get it now 20% off the regular price!
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.