About a month ago, it was my first experience with an analogue camera and Fuji 120 film; and it was a good one. This film has a natural feel, but colors can explode from your photos if you let it.
My roll of Fuji Pro came with the Holga 120 CFN that my friend had bought for me from Japan. I had ever seen 120 film in my life before that day (but I figured out that it’s actually really simple.)
It was also my first time trying out multiple exposures as well, but I fired away! The color splash from my Holga definitely added to the colors:
….but the ones without flash have brilliant colors too.
My only annoyance with the film was that most photo developers did not have the equipment to develop the film. I also don’t have my own dark room or chemicals, so I couldn’t do it myself. I ended up waiting for three weeks for it to come back from the Fuji lab. But the wait was worth it! I love my photos, I love my Holga, and I love Fuji Pro!
Just recently I asked myself why I would want to write about a film like the Fuji Instax Mini, because usually this film is the only one available for Fuji Instax cameras. But then it hit me! It can be an alternative to many other instant films, since I can load almost any film into my Diana F+, other medium and 135 format cameras, and of course the Fuji Instax Mini.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Did you ever think about the myth that we actually dream in Black & White? No colors, maybe no truth behind it anyways. But we know for a fact that you can create the most dreamy photographs with an analogue camera. And for that you need the right film. Scroll down and find out which B&W film is the film of your dreams!
“51 Fragments of a Wandering Mind” is the first ever feature-length film shot with the LomoKino. Created by filmmaker and street photographer Dustin M Rosemark, it is an experimental documentary film that documents, in a photojournalistic manner, a six-month existential journey in 13 countries. In this exclusive interview, Rosemark shares insight about the film, and talks about his LomoKino experience.
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.