About a month ago, it was my first experience with an analogue camera and Fuji 120 film; and it was a good one. This film has a natural feel, but colors can explode from your photos if you let it.
My roll of Fuji Pro came with the Holga 120 CFN that my friend had bought for me from Japan. I had ever seen 120 film in my life before that day (but I figured out that it’s actually really simple.)
It was also my first time trying out multiple exposures as well, but I fired away! The color splash from my Holga definitely added to the colors:
….but the ones without flash have brilliant colors too.
My only annoyance with the film was that most photo developers did not have the equipment to develop the film. I also don’t have my own dark room or chemicals, so I couldn’t do it myself. I ended up waiting for three weeks for it to come back from the Fuji lab. But the wait was worth it! I love my photos, I love my Holga, and I love Fuji Pro!
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
For three months last year, I traveled to 11 cities of eight Southeast Asian countries. My first destination from my hometown of Seoul was Vietnam. After 10 days in Hanoi, I joined a group tour to Sapa, an area known for its hill tribes. This is a photo story of my two days and one night in this remote but vibrant place.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.