Kodak took our Kodachrome away and I have not even shot a single roll. Since it seems impossible to get a roll and send it to Dwayne's Photo, I decided to create a T-shirt in honor of this unique emulsion.
I was desperately trying to buy some rolls of this special emulsion so I can still send the films to Dwayne's but I remained unsuccessful. I decided to print a T-shirt of the Kodachrome logo instead.
It was almost impossible to find a suitable picture for vectorization on the internet, so in the end, I redesigned it myself. And since I could not decide between the two of them, I would like to share both:
Lomographers know that once you start collecting cameras, it's difficult to stop yourself. It has a very logical explanation: every camera produces unique images that are impossible to get using another camera. In this article, I decided to compare three cameras with wide-angle lenses.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
With a Lomo'Instant Camera and a Splitzer, you can get absolutely funny and creative images. I took it to the highest level and exposed my shots from 4 to 8 times! What you'll see next is an impressive mix of colors, textures, places and people captured in a very surreal way!
It was a cold and cloudy winter day in 2012 when I came up with the idea of compiling photographs of people's faces. I decided that the most personal way to do it is through instant shots. They are one of a kind and you immediately have something in your hands.
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
This article is a tribute to the great Portuguese film director Manoel de Oliveira, who died last April 2. With an old Praktica loaded with a roll of black and white film, I captured so enthusiastically his city Oporto (Porto) with its famous Ribeira district, the most characteristic of the Lusitanian town. It was here that more than 70 years ago, Manoel De Oliveira created a timeless masterpiece: "Aniki-Bòbò"!
As all you lomographers will know, since its re-inception we have been following the tracks of the Petzval Lens. Indeed, this bokeh-genius has been traveling far and wide, falling into the hands of many a photographer the world over. We decided to put together this little catalog of talented artists and their most enticing photographs, shot using the Petzval lens, so we can show you what wonders and mischief we have brought upon us. Come take a look at the outcome of the Petzval’s transnational journey.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.