A while ago, I stumbled over a photo that caught my eye on lomography.com. It had a soft tinge of green, not that harsh one some slide films bring on when they’re plagued with over-exposure and cross-processing. The landscape was bathed in dark green and the sky shone in a nice turquoise. I immediately looked at the description of the photo to see which film had been used and there stood Fuji Sensia 200. Unbelievably, I started a search for more photos of this film in the photo section because I had only tried out Sensia 100 films up to then and I knew that they do not tend to green tones at all. However, the photo search confirmed the declaration and I directly surfed to eBay in the hope to find a reasonably priced offer. Promptly, I could buy a ten-pack without ruining myself and some days later I was ready to click away. I really like the results and 5 of the 10 films are gone in the meantime.
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
With the holidays just around the corner, it's a great time to make sure you have loads of wonderful films for all the fun festivities coming up. Today's Advent deal of the day is here to help you do just that! Head on over to the Online Shop and save 10% on our wide selection of films. Do the right thing and keep your camera happy this year!
Is that the silhouette of her fairy godmother, her guardian angel, or someone she wants to be in the future? We may never know the answer but one thing is for sure: this double exposure by robertofiuza deserves to be our POTD!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.