It is said that with this film you really have to try to get the exposure wrong. I agree.
From Wikipedia: “HP is a cubic-grain black-and-white film from Ilford Photo with a long history. It originated as Hypersensitive Panchromatic plates in 1931.”
This film is a true classic. Anyone shooting monochrome sooner or later tries it out. For good reason. Its nominal 400 ASA and nice grain and tonality make it the perfect all-rounder. It can be easily processed. It is readily available. And what amazes me the most is that it is one of the most robust films in the world. I present here pictures made with Ilford HP5, the previous version to the current HP5+ Ilford film, which had expired in 1989. Yep, that’s 21 years ago, more than some of you are old :D (And I still have some rolls of that 120 goodness left!).
The HPs are legendary for their pushing capacity. I have seen HP5+ pushed to 64000 ISO. Amazing, eh?
I honestly have no idea to what ISO I pushed my HP5 when making these shots (and what nominal ISO it had to start with after so many years of expiry under unknown storage conditions!), as I Don’t Think, Just Shoot!!! whether it be a dark gloomy winter day with some medium format slow platic lens or sunny summer with fast glass 35mm.
Whatever low-light punishment you inflict on this emulsion, just semi-stand develop it in Rodinal 1+200 for 2 hours (or 1+125 for 1 hour as I did with these two rolls) and you’re all set!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
With its surreal, psychedelic results that easily remind one of fairy tale-like wonderlands, the LomoChrome Purple has quickly grown to become one of the most popular emulsions in the community. We're giving you that extra push in the form of more community-penned reviews to finally try this film yourself, if you haven't.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
Experimental, stunningly beautiful, and pleasantly surprising are ways to effectively describe double exposure photography. Have you ever tried this creative technique? If you haven't, it's time to give it a try and share your best double exposed photos for the chance to win a copy of the photobook "Double Exposure" by Nickolas Muray.
I’ve been shooting analogue as long as I can remember but it wasn’t until a few months ago that I was introduced to instant photography. So, you can imagine when I was given the chance to try out the recently introduced Lomo’Instant Wide, I “instantly” said yes and hit the streets of Vienna!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
The LomoChrome Purple is easily one of the coolest films to come out in a very long time. The amazing colors and vibe it gives each shot and its wide range of exposures make it a must-have and must-shoot film. Here are some cool ways to help you get the most out of your LCP.
The most incredible lightpainting tool is here! Consists of 200 full color RGB LEDs in a lightweight aluminium housing will color your analogue world in different way! Create and animate different shades and shapes with the Pixelstick!
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
When we said this camera was wide, we meant it! And when you add the wide-angle lens attachment to your Lomo'Instant Wide, that's when the magic really starts to happen! Now you can capture the whole picture in a snap!
With exceptional craftsmanship and features, the New Russar+ is indeed a fine piece of photographic gear. It's then only but right to photograph only the best images with this lens. That being said, here are a few tips to help you not only find the appropriate subjects, but also properly frame and capture them.