An extremely excellent film for cross processing!
With extremely beautiful natural color!
But it is extremely bad that Kodak discontinue producing EPP!
I’ve bought this Kodak EPP film from a color lab near my house in Guangzhou before I went to Beijing. Actually I always use my favorite E100VS, but this time because I heard that this EPP isn’t in production line anymore, so I think I should try this film before I don’t have a chance.
This color transparency film features high color saturation and dependable neutrals with skin tones. And this film also produces vibrant colors and a versatile emulsion makes your pictures look great even though you shoot them with flash, it really gives neutral color balance with flash. But there are some noticeable grains in the pictures.
With cross processing, the photos look extremely good!!! It is very bad to know that now Kodak is ceasing production of Kodak EPP, so this is your last chance to try this film before it disappears from this world.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Diana F+ is something of a wild child. It loves outré looks, multiple exposures and outlandish colors. But loaded with the right 120 film, it can show a mellow side that favors rule-of-thirds perfection and subdued coloring.
A true Lomographic gem, the Lomo LC-A+ RL is blessed with good looks and bursting with experimental potential. Get ready to shoot amazing Lomographic photos by experimenting with MX shots, long exposures and a whole range of accessories!
I like to make and use masks with my Lomo'Instant camera, but sometimes they are too dominant. In coming up with more subtle masks, I found several that produced an interesting, distressed look, especially when paired with the camera flash and color gel strips. They're especially good for creating Halloween-themed photos.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
The New Petzval Lens is a stunning reinvention of one of the first and greatest lenses of all time. It produces images with extreme sharpness, artful vignetting and absolutely beautiful swirly bokeh backgrounds. Click through to see 30 breathtaking black and white photos after the jump!
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Leonard Knight passed away last year but he left an incredible legacy, an embodiment of love, that is Salvation Mountain. From 1984, he painted and remodeled a little hill in the California desert that's colorful as a cupcake and truly meaningful. And if anything ever would have been meant to be shot with Lomo cameras, it would be this psychedelic, holy hill.