During this summer, I used both my Lomography LC-A+ (loaded with Lomography Redscale film) and my soviet ЛОМО ЛК-А (loaded with Agfa Precisa film). I thought it would be interesting to shoot some photos with both cameras and compare the results.
Ever since I laid my hands on an old Soviet ЛОМО ЛК-А, I had wanted to compare it with my Lomography LC-A+. This summer, I finally decided I would give the experiment a try but, just to make it a bit more interesting and experimental, I decided to use my favourite film in one of the cameras and some film I had never used before in the other. The Lomography LC-A+ camera was loaded with a roll of Lomography Redscale Film ISO 100, and the old ЛОМО ЛК-А was loaded with a roll of Agfa Precisa CT film ISO 100.
The cameras were used on the beach and during a short trip to Scandinavia. The results were quite interesting, although it seems that my lab scanned the redscale film from the wrong side. Accidents happens, right? I could give you a summary of all the things I think I have learned about the cameras and the film, but I am more interested in hearing your opinions about the photos. So here are some of the results:
The LomoChrome Turquoise film boasts bold and unpredictable colors, so I thought "redscaling" it would yield an even more dramatic result. Much to my surprise, the dominant color palette of my photographs revealed LomoChrome Turquoise's soft and delicate side.
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
Joan Manel Cedó is an avid fan of extreme sports. He has been a rock climber for two decades and has also gained interest in kitesurfing over the years. In both sports, he tries to incorporate his passion for photography. In this instalment of My First Lomo Affair, he talks about how he chance upon the carefree style of shooting with the LC-A+ and all the adventures that followed this discovery.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.
Lomography has teamed up with the Victoria and Albert Museum, London to give you the chance to win tickets to see “Paul Strand: Photography and Film for the 20th Century,” the first retrospective of this highly influential photographer in over 30 years. You can also win a Henry Carroll Book and a Lomo’instant Wide.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
We met our new LomoAmigo Luka Tacon when we danced to the hypnotic beats of his duo Heartbreaker at our Lomo'Instant Wide Launch Party in NYC. Now, the brooklyn-based DJ and electronic music producer is preparing for an EPIC Lover's Ball at House of Yes with his friends at Might Get Weird, experimenting with the La Sardina and LC-A, and feeling the Latin rhythms of Costa Rica. Read more about his inspirations and how he feels analog equipment, whether it be for music or photography, has something that digital just doesn't. As a special bonus, you can listen to his exclusive Heartbreaker set!
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.