During this summer, I used both my Lomography LC-A+ (loaded with Lomography Redscale film) and my soviet ЛОМО ЛК-А (loaded with Agfa Precisa film). I thought it would be interesting to shoot some photos with both cameras and compare the results.
Ever since I laid my hands on an old Soviet ЛОМО ЛК-А, I had wanted to compare it with my Lomography LC-A+. This summer, I finally decided I would give the experiment a try but, just to make it a bit more interesting and experimental, I decided to use my favourite film in one of the cameras and some film I had never used before in the other. The Lomography LC-A+ camera was loaded with a roll of Lomography Redscale Film ISO 100, and the old ЛОМО ЛК-А was loaded with a roll of Agfa Precisa CT film ISO 100.
The cameras were used on the beach and during a short trip to Scandinavia. The results were quite interesting, although it seems that my lab scanned the redscale film from the wrong side. Accidents happens, right? I could give you a summary of all the things I think I have learned about the cameras and the film, but I am more interested in hearing your opinions about the photos. So here are some of the results:
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
On a sunny April Sunday, I decided to load a Lomography X-Pro Slide 200 on my new Lomo LC-A+; both bought few weeks ago from the Lomography Online Shop to take some photos of some Italian food stalls in the center of my city, Como. Here my first impressions about this interesting film.
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
I got asked to take some photos during our last meeting outside the office, so I didn't doubt for a second, loaded my camera with a fast film, and had a great time. Want to know more? Check it out after the jump.
Where are you headed to this summer? Where I'm from summer has ended too soon, so I'm still daydreaming of sand and seafoam. I decided to check out the archives for some cool beach-y snapshots and came across a lot of interesting underwater photos! Check out my finds after the jump; hopefully this list will inspire you to grab a Fisheye Sub or a Krab, along with your Fisheye cameras and LC-A+, for some underwater adventure.
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Every year my city Como hosts, for the Easter period, a great fun fair. This is a great occasion to test a camera, to make experiments with films, to have fun and to photograph people while also having fun! This year, I used my gem, the wonderful Horizon Perfekt (that I bought from the Lomography Online Shop) loaded with a timeless film, a Kodak Tri-X 400 developed, as usually for b/w, by myself. Read more after the jump!
In 1958 the great photographer Robert Frank took a series of images of New York's street life with a Leica camera from a bus window, as in these series of photos that I took in my city Como with my trusty Lomo LC-A loaded with a Kodak Tri-X film. This is a tribute to a great camera and to a great photographer! Read more after the jump!
Simeon Smith is a musician who recorded the sounds of our film cameras in action and made these samples available as a free download. We couldn't resist interviewing him about this project and taking a look at some of his photos. Meet the man behind the cams here.
Stephen Shore introduced to the 70s art world an unadorned image of American life. He captured littered restaurant tables as other photographers would immaculate vistas. For the opening of “American Surfaces”, he even taped unframed snapshots on gallery walls. In these videos, Shore talks about objects that have “no pretention to art” and the things he learned from Andy Warhol.