Apart from the fact that that this one is the most suggested tip in the Fisheye category, it also reminds me of this certain warning that we are always told, is that to not look directly at the sun through your viewfinder...
Apart from the fact that that this one is the most suggested tip in the Fisheye category, it also reminds me of this certain warning that we are always told, is that to not look directly at the sun through your viewfinder…
“__Shoot right up where the sun is, with its light behind your subject for really cool lens flare and silhouettes.__“
It’s all urban legend now that you really don’t have to look at it through your viewfinder and hurt your eyes, since the Fisheye can see it all for you. And you couldn’t be bothered with this photographic myths when you’re snapshooting, right? So go ahead, grab your film camera, press that shutter button and annoy me with your latest Lomotips!
With exceptional craftsmanship and features, the New Russar+ is indeed a fine piece of photographic gear. It's then only but right to photograph only the best images with this lens. That being said, here are a few tips to help you not only find the appropriate subjects, but also properly frame and capture them.
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Auckland-based photographer Richard Wong dabbles in everything from wedding photography to street photography, even Lego photography! In the midst of his busy schedule as photographer, camera reviewer and father, he sat down to speak with us about how he uses the Petzval 58 Bokeh Control Art Lens in his diverse practice.
Born and raised in Montreal, Nathalie Daoust is a Canadian photographer who uses her camera to explore hidden realms around escapism and female sexuality. Her projects have taken her to obscure places all across the world, from the US to Brazil, from Japan to China and currently to North Korea.