What a film! I have to confess that I never was a big fan of redscales...Yeah, of course, sometimes there have been some really cool results which delighted me but mainly I wasn`t fascinated by film switching.
But when the newsletter with the new film Lomography Redscale XR in my inbox arrived I couldn´t hardly believe it.
A redscale which can be used from 50 ISO up to 400 ISO and which gives you therefore completely different results from green-yellow via yellow-orange through to the classical redscale-red, it’s just a dream.
Okay, everyone knows the normal really red redscales, but the exposures on 100 ISO or even 50 ISO impressed me that much that I bought on an extended weekend in Vienna a pack of three and started shooting with my LC-A on a terrific sunny day immediately.
The film keeps its promise, this won’t be my last rolls.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
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Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
Enjoy a truly analogue moviemaking experience with Lomography's 35mm movie camera and an accompanying accessory to watch your films with. View your masterpieces in the most analogue way possible with the LomoKinoscope. Get it now 20% off the regular price!
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