Pictures taken with a LC-A+ and Konica SR-G 3200 film (that in expired in late 1995) turned out quite alright and with an interesting twist…
A few months ago I bought a selection of expired films on eBay…
While most of them weren’t particularly rare or special, one of them was a “Konica SR-G 3200”, a negative colour film i never heard of before. The fact that it expired in November 1995 only aroused my curiosity in it even more.
I decided to use it in my LC-A+ and set the ISO speed on the camera to 800, since i suspected the film to have lost some of its sensitivity. To be honest, I didn’t the expect the results to be any presentable at all and so I was quite surprised when I got the developed film back from the lab. Of course, the photos turned out to be extremely grainy, washed out and with little contrast, but still they surpassed my expectations by far. The icing on the cake were pink spots all over the negatives, which add some uniqueness to the results. I’m no expert when it comes to chemistry, but i guess they are a result of the 15 year long expiration.
I would love to shoot some more with it, but sadly there was only one roll in the package ;)
Wide-angle shooters will surely like this one. Made to be a disposable camera, the modification-ready Konica Wai Wai has made many film photography enthusiasts swoon with its distinctive wide-angle shooting and remarkable effects. Read on to find out more about this peculiar-looking camera in this installment of Lomopedia.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Here are some self portraits that I took using my Lubitel 2 and a roll of expired film. I used old chemicals, an incorrect ratio, and I under fixed the film during development and washed it in boiling hot water. See how it all turned out.
This is a tribute to Juergen Teller, a great fashion photographer who continues to work with analogue cameras. In the 1990s he radically changed the way to make fashion photography. His models appear "soap and water", without heavy make-up, and his images seem taken like an amateur photographer. Between his nice works, there is a photos that I like so much, taken in Cuba and called "The Girl with the Broken Nose." Take a look after the jump!
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
Sonia pushed the Petzval lens test one step further by shooting with expired black and white film. The results are amazing, and the grain gave life to these beautiful Petzval portraits! Learn more about this photographer and her love for films, and catch a glimpse of her photos, taken in romantic Paris.
"Grandpa's Photos" is exactly what it says on the title - vintage photographs taken by an Australian man named Stephen Clarke who frequently went on trips around the world. But make no mistake in concluding that it's simply a showcase; Clarke's grandson, Dave Tomkins, has also taken it upon himself to honor his late grandfather as a talented photographer. In this interview, Tomkins introduces him to us and shares the idea behind his personal project.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Creating doubles is a challenge and a bit experimental already in itself, but what do you get when you throw in an expired redscaled slide film, two different city scenes, and the LC-A in the mix? Check out this series by miket and see the results for yourself!