This camera is extremely durable, and because of the fame in the past you’ll often find these cameras, fully working, and a variety of matching lenses for a couple of bucks at flea markets.
I got mine for free. When the mom of one of my friends heard that I was into analogue photography, she offered me her FTb, which faithfully served her for more than twenty years. I was really excited about my new camera and as I shot my first roll i fell in love. The heavy all-metal body body (which weights more than 1 kg), the match-needle metering and the manual focusing are all very intuitive, and combined with the manual shutter speeds and aperture setting you’ll really be able to take full control of your photo. Furthermore the wide variety of compatible lenses will allow you to use this camera in almost every situation. The only downside is its size and weight – it isn’t exactly the best cam to keep in a purse, neither the easiest to sneak into a ‘No photography’ zone.
Everything is manual on this camera. It only needs a battery for the light meter in the viewfinder. It offers shutter times from 1/1000 to 1 second and bulb setting, manual focus and the aperture sizes are determined by the lens you use.
If you ever stumble on one of these, I urge you to give it a chance – it won’t fail you.
Tip: You can still take hipshots even though this camera has manual focus. Just choose a small aperture size (e.g. f/22) and set the focus to infinity – now you’re set up to go undercover.
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
Aside from his pictures, there is more to admire about Stephen Dowling. His extensive knowledge and insight into film photography and cameras are inspiring. Dowling, a BBC editor and analog photographer, tested the LC-A 120 camera and became a LomoAmigo last year. He has since rekindled ties with the Lomo LC-A 120, and brought it on a trip to Malta.
Having a respectable career photographing social, political and economical matters, Philip Wolmuth is capable of starting a dialogue with the public via his thought-provoking photographs.
Going through the collective of images on his latest work, it seems impossible not to be instantly affected by the rawness of the emotions captured within the images. The passion, the anger, the commotion, the rebellion, the fervor, the shouting, the devotion; his work is inebriating. It's as if the images are screaming at you and, for a short while, you are transported to the Speakers' Corner without actually setting foot on that location.
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Dale McCready is a cinematographer working in the film/ TV industry and has worked on programmes such as Doctor Who and Merlin. He was one of our supporters for the Petzval Kickstarter campaign and recently used the lens to film for a new BBC drama, which is due out in March. Dale kindly shared some of his Petzval photographs with us and talked about his love for this lens. Read on for the full interview.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
One of the things that make a trip to a far-flung place truly memorable is getting the chance to interact with the locals and share fun moments with them. Five years ago, disdis was able to do exactly that on a trip to Zinguinchor, Senegal, and it goes without saying that it was most certainly one for the books.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.