Last weekend's Sunday Times UK offered up a side of Lomography goodness with your coffee and morning paper covering an article by Bryan Appleyard discussing the hot new world of lomography that has so many people sharing the analogue love.
Having spoken to die hard lomographers and converted digital photographers alike Bryan Appleyard wraps up in a neat two page spread why we are loving these brightly coloured plastic cameras with names that throw around words like multi-pinehole, spinner, splitzer, fisheye, Oktomat and Diana, Holga and Lubitel.
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
From the simple Vivitar 110 camera he received from his grandmother, Brett Wolff already accumulated close to almost a hundred cameras and accessories in his analog arsenal. Some of the cameras he treasured were even handed down by relatives and friends, making these more precious to him. Let's take a closer look at his camera collection.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Elvis Halilović turns chestnut wood into heirloom-worthy cameras known as Ondu. As a countdown to Pinhole Photography Day happening tomorrow, we show you how these pieces are shaped, sanded and assembled. All this effort for the love of a good picture!