Kolomenskoye is a former royal estate situated several miles to the south-east of Moscow's city-center, on the ancient road leading to the town of Kolomna (hence the name). The scenic area which overlooks the steep banks of the Moskva River became a part of Moscow in the 1960s.
Kolomenskoye village was first mentioned in the testament of Ivan Kalita (1339). As time went by, the village was developed as a favorite country estate of grand princes of Muscovy. The earliest extant structure is the exceptional Ascension church (1532), built in white stone to commemorate the long-awaited birth of an heir to the throne, the future Ivan the Terrible. Being the first stone church of tent-like variety, the uncanonical “White Column” (as it is sometimes referred to) marked a stunning rupture with the Byzantine tradition.
Recognizing its outstanding value for humanity, UNESCO decided to inscribe the church on the World Heritage List in 1994.
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Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.