From the pictures I've shot, AGFA will never let me down.
Good weather is irresistible, this invincible film is amazing!
From what I’ve shot, AGFA will never let me down，this time I shoot with my camera，I was sure to bring Agfa Vista 100 with me. Basically camera don’t tell how to set up, so I set it randomly. In the super-enough light condition, set ISO at 100 could be easy to overexposure, to talk about color, the color has its own strong characteristics, but the quality of red tone is low, maybe I did not shoot enough red objects. Nevertheless, blue sea was very beautiful, so I think this film is worthy enough to buy.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
Beijing is a ready-made template for panoramic shots. Tourist baits like The Great Wall, Forbidden City and Summer Palace stretch for miles. Those who walk from end to end will have more to say. For instance, that the ground goes on to infinity. Or that they have never been so tired and amazed all at once.
Our grandparents taught us never to stoop down to the level of bad people, but Quentin Tarantino begs to differ. This video shows us how a shot from below can create a strange intimacy with perplexing characters.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Jacob Swedlund likens the excitement of shooting on film with reading a gripping book that he cannot simply put down. With endless stories to share, he enthusiastically records his daily adventures and innermost thoughts through photography. Let's get to know our newcomer of the week from Baumholder, Germany, ghost_paper!
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Photography has been described as a time-stopping device, something that “freezes” an action. This moment on-pause is the most salient; all conversation about the picture will tend to pin down the beauty of that second. Celeste Ortiz’s photos make us think of something else. A sense of continuation.
What's so great about analog photography? You never know what you will get in the end. Not every film let all of my photos look perfect, some fail, too. Maybe some of you experienced the same. After trying out several film soups and chemicals I finally discovered the easiest and quickest way: chlorine!