From the pictures I've shot, AGFA will never let me down.
Good weather is irresistible, this invincible film is amazing!
From what I’ve shot, AGFA will never let me down，this time I shoot with my camera，I was sure to bring Agfa Vista 100 with me. Basically camera don’t tell how to set up, so I set it randomly. In the super-enough light condition, set ISO at 100 could be easy to overexposure, to talk about color, the color has its own strong characteristics, but the quality of red tone is low, maybe I did not shoot enough red objects. Nevertheless, blue sea was very beautiful, so I think this film is worthy enough to buy.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
written by Kwyn Kenaz Aquino on 2015-04-18 in #people
Our grandparents taught us never to stoop down to the level of bad people, but Quentin Tarantino begs to differ. This video shows us how a shot from below can create a strange intimacy with perplexing characters.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Jacob Swedlund likens the excitement of shooting on film with reading a gripping book that he cannot simply put down. With endless stories to share, he enthusiastically records his daily adventures and innermost thoughts through photography. Let's get to know our newcomer of the week from Baumholder, Germany, ghost_paper!
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.