Fuji Velvia 50 is the first-ever slide film I bought, and after shooting a roll of it using my Holga CFN, I immediately got hooked. The vibrant colors and over-the-top saturation that it delivers are to die for!
Fuji Velvia 50 never fails to surprise and impress me. It can render vivid blues, yellows, and greens. Orange turns towards red. My shots sometimes get a bit pinkish. The color saturation is always unpredictable, that’s why I love it. The sharpness and quality of your shots depend on the contrast of light. You’ll never know what’s going to come out!
Since it only has a 50 iso, I only use it outdoors, specifically in capturing landscapes and skies. It seems to work fantastic in subjects with lots of colors like flowers or trees. If you’re into landscapes, you never go wrong with this film!
But what I like most about this film is that it’s able to produce hyper-saturated images that look like paintings! Velvia shots are always fancy, dramatic and more saturated than in real life.
Fuji Velvia 50 is a fantastic slide film to shoot. Go ahead and try a roll. It will surely become one of your favorite films in no time.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Jodo and his friend used to make fun of the Holga 120N's plastic body and doubted its capability to take even simple photographs. After shooting a roll with it, he instantly got impressed by the artistic portraits it produced. Have a glimpse of these photographs that led him to have a change of heart!
About two years ago or so, I purchased the Lomography Redscale XR 50-200. I saved just one roll of this film and waited for the right moment to shoot with it. In April this year, I just wasn't able to take it anymore! I loaded this film into my Lubitel 166+, which I realized I hadn't used for maybe about six months. One idea came to mind: taking crazy multiple exposures!
We've got something for Rock 'n Roll lovers! Because it's International Rock And Roll Day and because we like move our lenses to the tunes of good music, we simply had to share the piercing feeling of stage experiences in some striking shots!
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
Leonard Knight passed away last year but he left an incredible legacy, an embodiment of love, that is Salvation Mountain. From 1984, he painted and remodeled a little hill in the California desert that's colorful as a cupcake and truly meaningful. And if anything ever would have been meant to be shot with Lomo cameras, it would be this psychedelic, holy hill.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
With a Lomo'Instant Camera and a Splitzer, you can get absolutely funny and creative images. I took it to the highest level and exposed my shots from 4 to 8 times! What you'll see next is an impressive mix of colors, textures, places and people captured in a very surreal way!
Like a quick-changing siren, a sunset has fantastic showmanship. It may come in a costume of luminous yellow one day, and a daring paint canvas the next. And of its various looks, five have been getting the loudest applause from all over the community.
Mysterious apparitions and other inexplicable phenomena on film, or generally speaking, for that matter, are as highly debated topics today as they were many decades ago. In 1934, a certain Mr. C.P. MacCarthy of 15 Wilkinson Street, Sheffield held a lecture at 76 Clarkehouse Road located in the same city to "demonstrate under test conditions Fake Psychic Photography" before an invited committee. MacCarthy's demonstration was accompanied by a series of photographs titled "Psychic Photography From a New Angle."