Recently I saw on a 110 film cartridge , and I remembered of my old Kodak Ektra 100
Kodak Ektra 100 are made in Germany from 1978 to and its body all made in plastic, batteries not required. It has flip flash port and having a nice and gleamy Kodar 22mm lens, there is no focusing adjustments though and its aperture settings and shutter speed dials that’ll get in your way – a pure point and shoot camera, great!
It’s very simple to use, just open the back and pop in your 110 film cassette. It only fits one way, and it’s impossible to expose the film when loading, so this is perfect for baby Lomographers to use. Close the back door, and wind the film until you stop seeing X and when you start seeing number 1 on the frame counter, then you know you’re ready for your first photo. Just aim the camera, and press the button to make some analogue magic!
As the photos were taken between 1992 and 1998 , I can not remember the film I use, but in general the quality of the pictures was very good .These cameras seem to do better with scenes where detail is not important.
My dad and I have been riding our bicycles for as long as I can remember. We had no camera back then, so I only have the pictures from our recent rides. Each ride to the island of Khortitsa today is like a reunion with my childhood and my father's care.
Until a few years ago, using 110 cameras and film cartridges was a difficult thing because the only available films in the market had already been expired for several years. But now everything is easier thanks to Lomography; it has breathed new life into our small 110 cameras. Read on to discover the 110 film family.
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
I have good memories of Tagaytay Highlands. There had been times when some of my friends and I would spend the weekend there, playing all sorts of sports and having our bodies healed in the warm and lapping jacuzzi pool. But those were distant memories. I was able to go back to this place, but only for an afternoon, and tried to remember the good old days.
Fancy yourself a very adventurous lomographer? Well, better prepare those acids, bleaches, fire, and almost everything you could think of applying on your emulsions and take on these extreme film destroying tips! Remember to be careful, though!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Here are some self portraits that I took using my Lubitel 2 and a roll of expired film. I used old chemicals, an incorrect ratio, and I under fixed the film during development and washed it in boiling hot water. See how it all turned out.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.