If we talk about negative film, one of the most faithful is the Kodak ProImage
If someone asks me what my favorite negative, I don´t doubt for a second to say that is Kodak ProImage.
This film is faithful. Cheap, excellent definition and versatile. The Kodak ProImage has ISO100, which give us a definition with no grain at all in good light conditions. Its cost is low and it´s still in production. They sell in packs of 5 rolls and also by unit.
This film behaves differently depending the camera and light but always delivers excellent surprises. One thing I like about ProImage are the pushed results by forcing three steps. The colors often seem like a x-pro slide film.
I invite to you to use this film while it´s still in stock.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
The Pop 9 is an analog multilens wonder that allows you to take a mosaic of nine images in one frame à la Andy Warhol's famous pop art. In this Reviews on Rewind installment, we dug through our archives and found these informative reviews of the Pop 9 - just in case you're looking into snagging a fun camera in your arsenal!
If it's your first time to use the Fisheye Submarine Case (with your Fisheye One/Fisheye No.2 cameras) or the Krab Underwater Housing (with your LC-A+ or LC-Wide cameras), you might still feel a liiiiittle bit anxious about taking your favorite cameras underwater. To help ease your worries I gathered some of the most helpful tips, straight from summer-lovin' Lomographers who braved the waves with their cameras!
The LomoChrome Purple XR 100-400 is a color negative film that uses false colors and gives your images an infrared effect. In fact, the greens turn to purple and yellows turn to pink. See how it fares on a photowalk after the jump.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
It is Film Photography Day, and we are counting the ways the activity fuels the imagination. One photographer likens it to the soulful sound of an LP. Another chases its risk or does it with a leap of faith. But the consensus is clear: Film photography keeps people on their toes for the best possible shot!
LomoChrome Purple is one of the Community's most sought-after emulsions. With its ability to turn any mundane snapshot into surreal, dreamlike image, we cannot truly blame you for loving it way too much!
Most, if not all, of the photographs in Keis Iguchi's LomoHome were printed using traditional darkroom processes. He likens film photography to using cassette tape and relies on his favorite combination of LC-A and Ferrania Solaris 800 in creating evocative images. In this interview, our Newcomer of the Week from Tokyo Japan shares more about his affinity for analog photography.
In this new series, we talk to film fanatics from all around the UK about their passion for film photography and the best places to shoot in their home town. Today we go to Bristol to meet Justin Quinnell, a freelance photographer who has made pinholes out of bins and homemade 3D cameras. He is a true film photography experimenter!
Film Photography Day 2015 is fast approaching —do you have the film on hand to document the good times? We’re talking parties, dances, competitions, workshops, raffles, picnics and much, much more! If you don’t have film to last this gigantic 1 day festival of all things analogue, then now is the time to stock up! And even if you do, can you ever really have enough film? Nah, we don’t think so either.