Really pretty fine grain film ISO 100 Clark color film.
Clark 35mm ISO 100, I have saved the best for last.
Clark 100 film has real tight fine grain and nice range of colors for deep shadows and long pretty exposures. This film seems to saturate in the red range very beautiful. Wow wonder if they made slide film, would it look like kodachrome? I have shot this film in low light, slow shutter speeds, flash, and hot sunny and gray days and am very pleased with this fine-grained film results. I almost missed buying this film. I found this film at a thrift store, but did a double take because the box was not like the boxes we are used to seeing. I just walked past it at first and then looked back and took a second look ( refer to box photograph). Clark 100 is packaged in an oblong box. rather than the boxier box of 35mm film we know. Clark film is packaged more like the way 120 film is today.
At first I thought I had found some ancient, exotic film from the early 35mm days. Clark film has packaged their film without the little plastic lidded can and just put it in foil into this smaller box. I bought all that was available at the store and was able to capture all three film speeds 100, 200, and 400. I had enough of each to get a real feel for each one of them. If you find this film, buy it now, you will not be disappointed.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Considered as one of the best 35mm SLR cameras, the Nikon F2 is indeed one of the best experiences on film I’ve ever had. Fully manual and almost impossible to break, this historic camera is really marvelous to use.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
If you happen to come across an expired Lomography Color Negative 400 ISO 120 film pack, either in a store or on the Internet, get one and be ready for an exciting experience. You'll definitely get more from it!
If you've ever used the Lomo'Instant camera, you know that the Fujifilm Instax Mini film ensures amazing and sharp results with vivid colors and natural skin tones. And although we love it the way it is, we also love to experiment. This time we ventured out with monochrome on our minds and got some pretty crazy results — check it out!
Do you love Lomography's Lomochrome Purple XR 100-400 film? Me too! So let's see what it does when we shoot it through an assortment of color filters. I tried to document everything well enough that others could replicate and experiment on their own. I hope you find it useful.
Turn ordinary scenes into cinematic moments with the new Lomography Cine400 Tungsten Film. Made from authentic cine material that we specially treated for use with 35mm cameras, this Color Negative film will produce photos that look like stills from a movie.