I did what Lomographers often do - the opposite from what is written on the package and guess what, the risk that comes with it wasn't bad after all!
What rule of Lomography shall count now? The “don’t think” one? Well, we as Lomographers often do the opposite and call it cross processing, torture films and do some (funny) experiments and so on… So now I did something so simple that I am wondering, why it has not been done before: I developed a slide film as as it is – on E^6. The new Lomography Lomoslide 200 is a great film and I am very pleased with the results! Light blueish notes when you wash it normally. They very refreshing to see with the eyes, beautiful!
So forget about the rules (and what is written on the package) and process your slide films in E6 chemicals from time to time!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
A movie's parting shot is a crucial element in the sense that it could either make or break the lasting impression that it would have on its audience. It could either wrap things up quite nicely and leave viewers satisfied, or it could do otherwise. For many, it's often the first thing that comes to mind long after the final credits have rolled out.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
Kevin Meredith, more popularly known as LomoKev, is a photographer based in Brighton, England who gained notoriety for his use of the Lomo LC-A and his lomographic style of creating images. Aside from a plethora of personal and commercial projects, he has also conducted workshops on photography, written and published photography-related books, and participated in a few exhibits. With his evident passion for photography, it comes as no surprise that he was selected to test a prototype of the New Petzval 58 Bokeh Control Art Lens.
I don’t like to split. A split means distance, separation, it means categorical divergence. We split hairs, we split incomes, we split up. So the first thing we have to know here is that a Splitzer – different from what you might have thought - is not at all a nasty boy splitting things up.
Where do I begin talking about film cameras on the Lomography Magazine? Yes, you guessed right. I will begin with a LOMO, of course, a very special one: the Lubitel 166 Universal (Lubitel 166U). It’s a camera that has almost everything you might need from a camera. Plus, it’s a LOMO!
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
The founder of The Pop-Up Pinhole Co., Kelly Angood, has been handcrafting pinhole cameras from scratch since 2010. After developing a huge online following from one of her early pinhole designs, she embarked on a mission to design an affordable, functional pinhole camera that could be constructed all in the comfort of your own home — and it had to look great too! Following an incredibly successful Kickstarter campaign, her mission was realized. Read on to see how it happened and what's next for Kelly and The Pop-Up Pinhole Company!
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
After a fully booked 2015, photographer Chloé Vollmer-Lo found time to test the Petzval 58 Bokeh Control Art Lens. She brought it to the Natural History Museum and the Paris business district, an endeavor that resulted in quite a few stunning, bokeh-rich images.