I have been a fan of this film. 50 iso has never been this good for cross-processing. Since last year, I have been looking forward to use up a Fuji Velvia 50 iso, but can never found one. Some say this film is rare to its rarest. Until one day, a friend of mine has a brick of this, so I consumed 2-3 rolls of film from him.
I started shooting immediately. It was the magic hour and I was very interested on how the film would come up with its lovely colors. The Fuji Velvia, with its low iso sensitivity, has some special powers (I think) that produces different contrasts shot after shot. We all know the 100 iso is for red, magenta and pink, the Sensia for its green/yellow combination, and others, but this one is fantastically interesting. I was expecting a Fuji slide film outcome, but here’s what I got. Blue, green and yellow hues. Shooting it day and night makes the film feel very special and beautiful.
I love this film. One should really try this one if you haven’t used it yet. Feels like I got a combination of all Fuji slide films in one roll. If you are curious, check out my pictures.
Andrej Russkovskij AKA Andrea Russo is an avid film photographer and active community member who has a soft spot for portraits, making him the quintessential Petzval Amigo. He recently tested the Petzval 85 Art Lens with different kinds of film, among them black and white, Velvia 50, Kodak Elitechrome and Fuji Superia 200.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Ed Choi regards Lomography as one of the best things that happened to him. In this interview, the latest member to join the roster of LomoGurus talks about how cross processing slide films sparked a great friendship, taking instant photos in Himalayas, and creating the perfect double exposure photograph.
So Spring has officially sprung! Say hello to brighter and longer days. The dark (and freezing) ones are finally behind and in order to celebrate that a new motto takes place in our lives: The more color the better! Colorsplashing totally changes our mood and the endless possibilities of compositions have never been so fun! Click through to dive into this vibrant and surreal pool after the jump.
Belarus-based lomographer Pavel Petrischev has been taking photographs for almost 30 years. He currently works as a photography professor. In this interview, he shares his unique view on shooting with film and the strange ways of fate that brought him to the community.
Not long after Alex Timmermans purchased his first digital camera at the turn of the century, he quickly realized the trappings of digital photography couldn't fulfill his personal photographic desires. He then began searching for a more challenging process — one that wasn't so predictable. His journey eventually landed him back at the roots of analogue photography, specifically employing the wet plate collodion process using original Petzval lenses. This antique photographic process found in him a renewed inspiration and has since become his passion, which is evident in both his words and his images.
The Cannes Film Festival showcases some of the world's best cinematographic masterpieces. It is an annual event that is highly anticipated by fans and connoisseurs of both mainstream and independent cinema. This year's festival has officially opened and film buffs everywhere are excited, at the same time curious, about which film will win the Palme d'Or. We are in no position to predict the winner, but we do have our favorites, from the ones in competition and otherwise. In no definitive order, here is a list of 10 films that we'd like to see.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.
I have been constantly returning to the Sahara, and my last visit was the fifth in a row. Every visit was full of excitement and surprises. I feel like this place has become my second home. This year, I decided to travel there for a fortnight.