When I held the Lomo LC-A 120 in my hands for the first time, I immediately noticed its good feel and beautiful design. The LC-A 120 obviously, is truly, related to the queen of all Lomo cameras, the LC-A.
Remember C.S. Muncy? He's the New York-based freelance photojournalist who gave the New Petzval Lens a spin. Now he's got his hands on the Lomo LC-A 120 and we stumbled upon his detailed review on The Photo Brigade website. Here's an excerpt!
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
In 1958 the great photographer Robert Frank took a series of images of New York's street life with a Leica camera from a bus window, as in these series of photos that I took in my city Como with my trusty Lomo LC-A loaded with a Kodak Tri-X film. This is a tribute to a great camera and to a great photographer! Read more after the jump!
Gloucestershire-based photographer Michael Sullivan loves to shoot film. Recently Michael shot with the Lomo LC-A 120 loaded with color negative and Lomography Xpro Slide Film, and the results were quite fabulous. Meet the man behind the camera here.
In celebration of the 30th anniversary of the fantastic Lomo LC-A, and while waiting for the new Russar+ lens, I'll dedicate this article to an awesome super wide-angle camera: my Lomo LC-Wide that I like to use in architecture photography. Here you can read some simple tips I used to take a series of photos in the modern city of Latina in the center of Italy.
I want to share with you my experience with some slides when I was in Russia. I'm very sorry for them because I messed them up. They're just ruined and they'll never be the same! But hey, I have thousands of them, so I guess it's not a big deal after all.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.