I’m not an expert on different kinds of film, especially when it comes to xpro and cross-processing! I only heard of it a few times from my lab, asking “Should we do E6 or C41 for these?” and my answer was “What’s the difference?”. And I tried cross-processing a couple of times with always yellowish, non appealing results.
Then I tried the Lomography Xpro film. My first rolls with that were dark as well… Not the thing I wanted. But then I started to get the hang of it!! I used it on a sunny day on my Diana Mini and I loved the results!!! Still I got some dark shots that weren’t so good but at least I figured out what I needed! LOTS OF LIGHT!!! Or flash when in doors.
I can’t say that I’ll get amazing results on my next roll, but at least now I know what can get wrong and when I should do, to do things better! And I have to admit, I love the colors that Lomo XPro film produces!!!
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available in eBook form at Amazon.com. In this article, Healy explains how she fell hard in love with the Lomography XPro Slide 200 film and why she takes it on her many travels.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Enjoy a truly analogue moviemaking experience with Lomography's 35mm movie camera and an accompanying accessory to watch your films with. View your masterpieces in the most analogue way possible with the LomoKinoscope. Get it now 20% off the regular price!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Aside from the Magazine, going through the User Blogs is another way to keep tabs on the latest happening in the community. Throughout the year, it was filled with articles on new discoveries, thought-provoking opinions, and exciting exhibits that surely entertained, challenged, and inspired everyone. Let's take a look back at the fruitful year through the most popular user blogs of 2014.