What do you get when you drench overlapping images of foliage in the saturated colors of slide film? A wonderful work of art!
There’s nothing wrong with your screen. What you’re seeing is really an explosion of analogue goodness as two photos overlap in a single frame. This winning POTD was shot by community member *julea* using a *Lomo LC-A Refurbished* loaded with Agfa CT Precisa 100 35mm film. You can see more photos from julea in this *album*.
Congratulations to julea for winning Photo of the Day!
Creating doubles is a challenge and a bit experimental already in itself, but what do you get when you throw in an expired redscaled slide film, two different city scenes, and the LC-A in the mix? Check out this series by miket and see the results for yourself!
Chances are you've seen plenty of color-drenched photographs while browsing through the Photos section. Faces painted blue, pets tinted green, and foliage splashed with pink light. It's called "Colorsplashing," one of Lomography's earliest techniques for giving your shots a quick color boost. We dug through the Lomography archives to revisit "The Chakras of Colorsplashing," a special project created by Lomography and Staple Design six years ago.
From warm golden yellow to dramatic green hues, Karine swears by this film's capability in producing a wide spectrum of bold and saturated colors. Because of this, she always carries a roll or two in her suitcase whenever she travels. Find out more about Karine Mougenot, aka sweetyyydreams, and her Weapon of Choice, the Lomography XPro Slide 200!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I'm Nick Page, a graphic designer based in the UK. After 20 years of working in advertising, I returned to film photography five years ago and found that the analogue life was just what I needed to get away from the "pixel perfect" images I deal with every day in my job.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.
The strong contrast and whacked out colors from cross processing slide films always give a great contrast to dramatic silhouette snapshots. Congratulations to sushi_9009 for having our Photo of the Day!
In your daily photo practice, a slight difference in focal length can have a huge impact on your images. Does it adjust everything in the photo? Do I get that entire steeple on the image without having to go so far back and then shooting in the sun? How exactly does a fisheye lens work? Read on and find out the answer.
It's a great feeling when you get a camera back to work even though you thought it was already unusable because its particular type of film is no longer in production. Here's how you can do it with a Polaroid camera from the 80-series.