This is the story on how I got my first Lomography camera...It all started with a knock on the door. It was the postman with a parcel for me. From the stamps and packaging I knew it was from my brother who lives in Taiwan...
It all started with a knock on the door. It was the postman with a parcel for me. From the stamps and packaging I knew it was from my brother who lives in Taiwan. I opened the packet and there was a yellow and white box with a picture of a rather bizarre looking camera and the word Holga plastered across it.
I had no idea what it was. I’d never heard the word Holga and it looked like a pretty crappy camera to me. But I did trust my brother and he’s pretty good at gifts when he gets around to giving them (the card said happy birthday, but it was two months late… or 10 months early). I carefully opened the box and unearthed the camera and all the extras (film, tape, batteries, two masks and the book). I started looking at the book first. It was love at first sight. I just kept looking at it, amazed by the pictures, intrigued by the story and aching to start taking my own pictures.
My first roll of film was a bit of a dud. I didn’t have any of the dreamy images pictured in the book or on the website, developing was expensive and took ages (the only place I could find took two weeks and even then didn’t scan them.) I was entirely frustrated with the Holga and I practically gave up on it, barely using it for the next two years. I didn’t give up on Lomography though. I found a local supplier and within months of receiving my Holga, I was also the proud owner of the Fisheye and the Supersampler. Both instantly captured my imagination and I didn’t look back.
It wasn’t until my Supersampler suffered an unfortunate incident that I picked up my Holga again. By this time I had found a store that would develop 120 in an hour and scan them so I didn’t have to let my impatience preventing me from using the Holga. My next roll was perfect. Vignetting around the corners, lovely double exposures and vibrant dream-like colours. I’ve had a few crap rolls since then, but I don’t let that get me down because I know that it’s not the camera, it’s just me.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
My brother purchased the new Petzal lens by Lomography and Zenit through the Kickstarter campaign. Last spring, I was able to borrow it for a few weeks. Read on to find out my first impressions of this portrait lens!
This is my experience with the Lomography Redscale XR 50-200 (120), my first medium format film. It's an adventure that started when I got a Lubitel 2, to finally shoot with it. In this article, you'll find detailed information about color schemes, the advantages of shooting in medium format, and the differences between standard redscale films. Here are the results of a day of shooting outside, which I recently got back from the lab.
Sprocket Love: The Sprocket Rocket is the world’s first wide-angle camera dedicated to sprockets. It shoots 18 panoramas on a standard 35mm roll and exposes the whole width of film including sprocket holes. Use its dual winding knobs for easy multiple exposures and generate perfect nighttime shots with the bulb setting.
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
Exactly seven years ago, I bought this camera from Indonesia's local Lomography community. I remember having some savings in my bank account and just spending it all on this camera. At that time, I browsed the microsite for the Lomography Fisheye No.2 and immediately fell in love with it! Coincidentally, my friend who introduced me to Lomography just bought this same camera for his birthday. My life has changed ever since I had the Fisheye, my first lomographic camera.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
I was given a roll of LomoChrome Purple 120 by a friend who was keen for me to try it out since he didn't have a medium format camera. I really didn't expect the results I got when I took it out for a test run on a bright winter's day in London.
The people of a city, to me, speak volumes about its culture and sense of community. And that is why I sought out the people who make Denver that much more interesting after the initial period of settling down. My search lead to a few establishments that have contributed to making Denver what it is today. In the second story on Transient Living, I present to you two of such establishments: The Craftsman & Apprentice, and A Small Print Shop.
Get negatives and scans for your 35mm, 120 or 110 films with Standard Development.Choose between Colour Negative Development, Black & White Development, Slide Film (E-6) and Cross-Processing Development. (Service availability depends on your markets)
My brother had a photo exhibition last year at the North Sea Jazz Festival and got two tickets. So just like the old days with our father, we went to the Ahoy Rotterdam for an evening of jazz and other music. I was armed with an analogue SLR camera, telephoto lens, and sensitive film!
Here’s a random and rather mysterious tale for you folks. Just the other day, I was at a local bar with a few friends. It was much like any other evening; we were sipping a couple of cocktails, recounting our adventures, falling over ourselves with laughter and half-drunkenly meditating on the meaning of life (a scientist once told me it’s 42 by the way). But then something truly strange happened. Read on to hear my story and please make a comment with your guess at the end!