The Saint Petersburg Botanical Garden, is the oldest botanical garden in Russia, consisting of outdoor and rich indoor collections, which is situated on Aptekarsky Island in Saint Petersburg and belongs to the Komarov Botanical Institute of the Russian Academy of Sciences.
The garden was founded by Peter I in 1714 as a herb garden in order to grow medicinal plants and reestablished as a botanical institution under the name Imperial Botanical Garden in 1823.
The garden has 25 greenhouses constructed in 1823-1824 (No. 1 – 28, the greenhouses No. 5 and No. 25 don’t exist, the greenhouses No. 10-11 are shared), some of them are open to the public (guided visits only). The indoor collections suffered significant losses during the Siege of Leningrad in 1941-1944. Out of 6367 species only 861 survived.
The outer park includes a small rock garden (constructed in the end of the 19th century) located in front of the Big Palm Greenhouse, and a 0.16 km² arboretum, organized partly as an English garden and partly as a formal garden. The park, unlike the greenhouses, is closed for visitors from October 1 to May 8. It is elevated only 1.5-3 m above sea-level and has thus regularly suffered from catastrophic floods characteristic of Saint Petersburg. The her-barium edifice built in 1913 stands in front of the main entrance.
The Science Museum in London is set to play host to a showcase of some of the earliest known images taken by photography pioneers, selected from the collection of the world's oldest surviving photographic society.
The Philadelphia-based institution is the only U.S. venue to host this exhibit, which features Avedon's group portraits of famous personalities and other individual portraits taken in the late 1960s and 1970s.
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
In the third and final installment of his Russian love story, Herr Willie recalls some of the most memorable experiences from his trips to post-Soviet Russia, including traveling aboard the Trans-Siberian Railway and shooting with the La Sardina for Lomography on assignment, and waxes nostalgic about all the amazing people he had met.
An ongoing show at the George Eastman House in New York puts the spotlight on a collection of photographs that "explore uses of gardens and how humans cultivate the landscapes that surround them," from the time the medium was invented up to the present.
Some lomographers prefer to hoard as many analog cameras their shelves and budgets can support. Some would rather keep a manageable number that they can regularly shoot with. Community member Joshua Kennedy belongs to the latter group. From 40 cameras, he downsized his collection to 13, as he puts it, "really good ones" that suit his shooting habits and style. In this interview, he breaks down his small yet dependable arsenal of vintage and handmade cameras and how an organized schedule allows him to shoot with each one on a regular basis.
Daniela Majic is a Canada-based portrait photographer who tells unique, dreamy, and fairy tale-like stories with her camera. She blends her love for fashion and craft-making in creating a theme that seems magical. Here's an interview with Majic along with a series of photographs from her latest work shot with the Petzval Art Lens, "Secret Garden," which wraps around a very intriguing concept.
Bernhard Rauscher's passion for light painting photography is as vibrant as his creations. His light paintings are either craftily executed renditions of things you see in everyday life, or fanciful abstract figures. He uses do-it-yourself devices made from water bottles and tinsel as light painting tools. Part of his collection of magical devices is the Pixelstick, which he talks about in this exclusive interview.
According to our latest LomoAmigos Berlin Sessions, there is one camera this summer which you always carry with you - our beloved Lomo'Instant! The camera is accompanying the crew of the Berlin-based video magazine on their acoustics sessions all over the city and on the hippest festivals in Germany. Learn more about Berlin Sessions and their Lomo'Instant festival tour in this exclusive interview!
Did you catch the solar eclipse that happened recently? Word on the street is that it even resulted in a total eclipse in some areas of Europe, making it a pretty rare occasion for the folks that got to see it! We're guessing that some of you even had your cameras to catch the whole shebang on film — which is why we're throwing a competition for the best eclipse and sun inspired shots out there. Come on in and check out the details!
Dale McCready is a cinematographer working in the film/ TV industry and has worked on programmes such as Doctor Who and Merlin. He was one of our supporters for the Petzval Kickstarter campaign and recently used the lens to film for a new BBC drama, which is due out in March. Dale kindly shared some of his Petzval photographs with us and talked about his love for this lens. Read on for the full interview.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.