These photos document my two trips to India. The first one was in winter while the other, in summer.
The road was crowded. People were mourning their acquaintance’s death as cows were also seen close by. The body was cremated at the Ganges. I was really dizzy due to the sound and acrid smoke emanating from the cremated body. It was my second time at the Varanasi. That time, a small corpse floated on the river. It was really scary for me since my sister was also pregnant.
During my first time in India, I toured Delhi, Varanasi, and Agra for three weeks with my sister. However, I couldn’t just dispel India after traveling there. Therefore, I returned the following summer. For two months I visited Delhi, Manali, Leh, and Varanasi. I wandered along the road and took the minibus for 20 hours. That time, I witnessed the death at the Ganges.
After coming back from India where I saw death, I ironically made a documentary film about birth. It showed my sister and her husband’s considerations including where she was to give birth and how they should raise their kid.
Now, he is 18 months old. He babbles and runs. Everything is really peaceful and lively.
My family and I were in Udaipur (India) for a wedding ceremony and decided to travel around the area. We went to Jaisalmer, one of the most gorgeous cities I have ever seen (located on the border with Pakistan) and decided to stop by the remote Thar Desert, which is where these pictures were taken.
For three months last year, I traveled to 11 cities of eight Southeast Asian countries. My first destination from my hometown of Seoul was Vietnam. After 10 days in Hanoi, I joined a group tour to Sapa, an area known for its hill tribes. This is a photo story of my two days and one night in this remote but vibrant place.
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
This article is the first one that I want to dedicate to the Expo 2015. A month ago, my city Como hosted a night spectacular preceding the opening of the Universal Exposition in Milan. With my Praktica and color film, I documented this joyful, artistic event.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
These images, said to be the first color photographs of Bali, Indonesia, were taken by National Geographic photographer Franklin Price Knott during a journey through Japan, China, the Philippines, Bali, and India back in 1927 at the age of 73.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
This article is dedicated to one of the most important masters of photography, Robert Capa. Capa is well known for his photos of war, from the famous image of the Republican Spanish soldier collapsing backwards after being fatally shot to his images taken in Indochina. He was also a co-founder of the famous Magnum Photo Agency, the first cooperative agency for freelance photographers worldwide. For this article, I took advantage of a rare event held in my city, Como, some weeks ago: a military drill for civil protection purposes.