There are many reasons to be amazed by the Diana F+. Here is Part 2 of my tribute series to the camera: Frame sizes.
Before you start using your Diana F+ you have to decide which frame size to use! It’s up to you to choose between two different square formats. With negatives in size of 46.5 × 46.5mm you’ll get 12 shots and with the 42 × 42mm frame you’ll get 16 shots per roll of film. Insert the correct mask before you put the film in. The format can’t be changed while you’re shooting.
The classic shot that the Diana is known for often has vignetted and blurry edges. Those are lost or at least reduced when you choose the smaller format. Another effect is that the shooting angle gets smaller. Using the 75mm standard lens, the angle is about 44° (46.5 × 46.5mm) or 40° (42 × 42mm). Here you can see photos for comparison:
In a close distance the effect is a bit smaller:
Shots will overlap when you don’t insert the mask. This can result in impressive panoramas:
A large number of interchangeable lenses and accessories (sold separately or as a set) can increase the potential of the Diana F+ immeasurably. I have tested those possibilities for you! Keep your eyes open for my following articles in the series and make sure to read Part 1: The Camera.
There are many possible reasons for taking pictures. It could be to document an event, to capture breathtaking scenery, to preserve a fond memory, or simply, to have a snapshot of someone close to your heart. Whatever the reason, there's almost always a story behind a picture, no matter how significant or trivial it may be. And for lomographers, nothing beats the feeling of having that story unfold in your hand, in the form of a print. If you want a quick keepsake from that treasured moment or a snapshot of that special someone though, you can have it instantly, through Lomo'Instant Stories!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
Happy New Year Everyone. We're confident that our January 2015 workshops will help you dust off those January blues and get you smiling again. You'll be able to learn how to expose an image onto fabric or canvas with our LUMI paint workshop, learn the basics of our super Diana F+ camera and take to the streets with the Lomo'instant. There is also a great exhibition of analogue prints from photographer Arat “Huge” Komsawadichai. Find out more and book your spot by clicking here.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
I went to the Victoria & Albert Museum's Friday Late, an event that takes place every last Friday evening of the month. For March 2014, the London borough of Tottenham was invited to curate an evening of creativity. There were a number of events that went on ranging from music and art to fashion and film. Accompanied by my LC-A+ and Fisheye No. 2, here are my highlights of that evening in photographs.
My, isn't the Fisheye No. 2 quite a unique-looking camera? Despite this, though, this analogue wonder is very easy to operate. Here are a couple of video tutorials to help get you started, featuring the luxurious Fisheye No. 2 Brut!
With features that allow one to be as creative as possible and a size compact enough to bring it anytime, anywhere, the LC-A+ is indeed an embodiment of our 10 Golden Rules. In this week's feature, we list down some of the ways you could up your photography game with this wonderful camera.
This article is a tribute to an important street photographer, Edouard Boubat. His pictures are characterized by great poetic touch, strong social sensitivity, and utmost respect for people and places. Inspired by a book which contains Boubat's photos taken in the countries bordering the Mediterranean Sea, I pay homage by showcasing some of my photos taken within the same geographic area.
In prime areas of New York and San Francisco, the phrase ‘rush hour’ is always on the menu. Drive up to Reno, and the same expression fizzles. Many roads are framed by mountains and shrubbery, a picture of calm in the city. But the night makes up for the day’s stilly mood. Casinos flaunt LED signs and marquees, a treat for urban photographers.