There are many reasons to be amazed by the Diana F+. Here is Part 2 of my tribute series to the camera: Frame sizes.
Before you start using your Diana F+ you have to decide which frame size to use! It’s up to you to choose between two different square formats. With negatives in size of 46.5 × 46.5mm you’ll get 12 shots and with the 42 × 42mm frame you’ll get 16 shots per roll of film. Insert the correct mask before you put the film in. The format can’t be changed while you’re shooting.
The classic shot that the Diana is known for often has vignetted and blurry edges. Those are lost or at least reduced when you choose the smaller format. Another effect is that the shooting angle gets smaller. Using the 75mm standard lens, the angle is about 44° (46.5 × 46.5mm) or 40° (42 × 42mm). Here you can see photos for comparison:
In a close distance the effect is a bit smaller:
Shots will overlap when you don’t insert the mask. This can result in impressive panoramas:
A large number of interchangeable lenses and accessories (sold separately or as a set) can increase the potential of the Diana F+ immeasurably. I have tested those possibilities for you! Keep your eyes open for my following articles in the series and make sure to read Part 1: The Camera.
Nostalgia, intimacy, and urgent yet understated sensuality – are elements that are evidently part of Asher Moss’ work. Moss’ “Models in the Morning” series caught the attention of many, including the folks here at Lomography. The resolution: let Moss try out a few Lomography cameras, and wait for the visual intimacy to begin. In this first segment of LomoAmigo Galleries featuring Asher Moss, we present to you the photographer’s shots using the Diana F+.
We have been digging in our archives here at Lomography UK and have noticed how often the Diana F+ is featured on the front pages of magazines. It appears to be the most photographed of all our cameras. Here are a few wonderful fashion shots that show off the Diana F+ to the world!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
This article is a tribute to a great Italian poet, painter and photographer, Mario Giacomelli (1925-2000). His images are characterized by a strong graphic contrast and are related to suffering and decay in our world. In this article I pay tribute to his photographic series taken at the Sanctuary of Lourdes in France. Read more after the jump!
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
I prefer being outdoors whenever I go on a vacation at the seaside. For this reason, I always choose to stay at a campsite instead of a hotel. This year, I stayed at a beautiful one in the south of Italy. Here is a series of photos which I received a few days ago from the excellent LomoLab service, taken with my Sprocket Rocket. Have a look after the jump!
When I was a child, I regularly went to Blaavand located at the Danish west coast with my brothers and my parents. However, I didn't anymore when I grew up. But in 2012, we hit the road again. It was my first visit there in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In this article, I'm going to present to you the photos I took with my Nikon F-501 SLR.
Happy New Year Everyone. We're confident that our January 2015 workshops will help you dust off those January blues and get you smiling again. You'll be able to learn how to expose an image onto fabric or canvas with our LUMI paint workshop, learn the basics of our super Diana F+ camera and take to the streets with the Lomo'instant. There is also a great exhibition of analogue prints from photographer Arat “Huge” Komsawadichai. Find out more and book your spot by clicking here.