There are many reasons to be amazed by the Diana F+. Here is Part 2 of my tribute series to the camera: Frame sizes.
Before you start using your Diana F+ you have to decide which frame size to use! It’s up to you to choose between two different square formats. With negatives in size of 46.5 × 46.5mm you’ll get 12 shots and with the 42 × 42mm frame you’ll get 16 shots per roll of film. Insert the correct mask before you put the film in. The format can’t be changed while you’re shooting.
The classic shot that the Diana is known for often has vignetted and blurry edges. Those are lost or at least reduced when you choose the smaller format. Another effect is that the shooting angle gets smaller. Using the 75mm standard lens, the angle is about 44° (46.5 × 46.5mm) or 40° (42 × 42mm). Here you can see photos for comparison:
In a close distance the effect is a bit smaller:
Shots will overlap when you don’t insert the mask. This can result in impressive panoramas:
A large number of interchangeable lenses and accessories (sold separately or as a set) can increase the potential of the Diana F+ immeasurably. I have tested those possibilities for you! Keep your eyes open for my following articles in the series and make sure to read Part 1: The Camera.
There are many possible reasons for taking pictures. It could be to document an event, to capture breathtaking scenery, to preserve a fond memory, or simply, to have a snapshot of someone close to your heart. Whatever the reason, there's almost always a story behind a picture, no matter how significant or trivial it may be. And for lomographers, nothing beats the feeling of having that story unfold in your hand, in the form of a print. If you want a quick keepsake from that treasured moment or a snapshot of that special someone though, you can have it instantly, through Lomo'Instant Stories!
We have been digging in our archives here at Lomography UK and have noticed how often the Diana F+ is featured on the front pages of magazines. It appears to be the most photographed of all our cameras. Here are a few wonderful fashion shots that show off the Diana F+ to the world!
My name is Amber Valentine and I have a confession to make: I’m not really a photographer. I have a website full of photographs, a bookshelf full of cameras, film waiting to be developed, and a wall full of framed pictures I’ve taken. Even so, I don’t really consider myself a photographer per se. I think that Lomography is more about the experimentation and the fun of film than it is about the photography, and that experimentation is part of the reason I have embraced Lomography so.
When I was a child, I regularly went to Blaavand, located at the Danish west coast, with my brothers and parents. I stopped going there as I grew up. In 2012 however, we hit the road again. It was my first return visit in about 20 years. I took the chance and packed as many cameras as possible into my luggage. In part two of my journey log, I'm going to show you the pictures I took with my Lomography cameras.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
I prefer being outdoors whenever I go on a vacation at the seaside. For this reason, I always choose to stay at a campsite instead of a hotel. This year, I stayed at a beautiful one in the south of Italy. Here is a series of photos which I received a few days ago from the excellent LomoLab service, taken with my Sprocket Rocket. Have a look after the jump!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Happy New Year Everyone. We're confident that our January 2015 workshops will help you dust off those January blues and get you smiling again. You'll be able to learn how to expose an image onto fabric or canvas with our LUMI paint workshop, learn the basics of our super Diana F+ camera and take to the streets with the Lomo'instant. There is also a great exhibition of analogue prints from photographer Arat “Huge” Komsawadichai. Find out more and book your spot by clicking here.
This is tribute to the Farm Security Administration photographer, Jack Delano, and his photographic series dedicated to barkers. For this article, I chose a series of photos I took this year at the traditional Easter Fair in my city, Como, using a classic rangefinder camera loaded with a roll of black and white film.
Alfred Eisenstaedt was one of Life Magazine's greatest photographers, known for his ability to immortalize the storytelling moment of many public events in history. To write this tribute to him, I chose a subject that he photographed in different places and times: card players in public places. The photos in this article were taken at the Patronal Feast of my city Como, during a series of buraco's lessons held by a local card players club.