Combining two related yet contrasting scenes in one photograph is sometimes necessary to convey a story.
A single photo can tell a story with just its visual elements, but what happens if you mix two images in one frame? Community member lostlittlekid tells two different but intertwining narratives in this winning Photo of the Day. Aside from the double exposure, we love the way the light flare hits the images and bleaches it to a fiery red color. This photo was taken using a *Lomo LC-A+* loaded with Kodak Elitechrome 100VS film. You can see more photos from lostlittlekid in this album.
Congratulations to lostlittlekid for winning Photo of the Day!
Mix two of your friends’ faces in one shot, combine different scenes in a picture, or pair unlikely objects in one photo! Anything and everything is possible with the Lomo’Instant Splitzer – the latest addition to the creative Lomo’Instant family.
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
For three months last year, I traveled to 11 cities of eight Southeast Asian countries. My first destination from my hometown of Seoul was Vietnam. After 10 days in Hanoi, I joined a group tour to Sapa, an area known for its hill tribes. This is a photo story of my two days and one night in this remote but vibrant place.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
The Glastonbury Festival is arguably one of the most anticipated and renowned music festivals in the world. It is a joy to be able to watch it, and a privilege to capture scenes on and off stage. Apart from creating beautiful portraits, the Petzval Lens is great for adding an albeit subtle drama to the already spectacular scenes of music festivals. Japanese photographer Taio Konishi photographed this year's Glastonbury with a Petzval 85mm Lens, and here are some of the photos. He also talks about his Petzval-meets-Glastonbury experience in this exclusive.
Janne Parviainen is a 35-year-old artist from Helsinki, Finland. He is both a painter and a photographer but sometimes, he swaps his painting tools for light and creates illuminated pieces of art. Abandoned places are his favorite places for shoots because, according to him, "there's so much lived life and stories in abandoned places, they are the lost diaries and photos turned to dust of lives that once bloomed."
Often we find subjects so interesting, we can't help but train our cameras on them. Most of the time the act of snapping a photo goes by uneventfully. But sometimes, a little trouble finds us. Here's one such story by bloomchen.
Two days from now, Lempertz will hold a sale of 195 photographic prints. The lineup is as varied as the history of photography itself. An 1856 print by an anonymous photographer is in the same group as a top-valued Joseph Szabo shot. A deceptively simple shot of a flower vase is joined by the complex textures of Lucien Hervé. Take a look at the fascinating mix.