Many people love expired film not only because of its low price, but also because of the unpredictable colour and effects it yields on our shots, and they often get disappointed when they do not have exciting results from its use. It’s not the case with this film.
Slide film Tasma TsO-25 enjoyed certain popularity among amateur photographers in Soviet Union. It was made in the city of Kazan (Tatarstan, Russia), but the production was cut in the mid-nineties. The film has been expired for 20 years, so I got it on a very low price. It is possible to process this film in only one photo laboratory in Russia because it doesn’t suit any other existing process.
As you can see, there is no lack of colour distortions in these pictures and the film in question can be justly dubbed expired.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
The Diana Mini is turning five years old this month! Through the years we have seen this sweet and petite 35mm camera transform from a classic analogue beauty to a blinged-out snapshooter and everything else in between. Remember the Love Letters edition? How about the Premier Cru? To refresh your memory here's a gallery of all the Diana Mini styles we've released in the past five years. Which among these limited edition Clones is your favorite?
Ever since light painting was invented, it inspired artists from all around the globe to magical creations that capture hidden movements and reinvent the world we live in. "Life is a fairy tale, stay wild little child!" is what they want to tell us. Bringing light to life became the next challenge for anyone rigged with a film camera and a creative mind.
Now, how can you take your analogue light paintings from the ordinary to the outstanding? After the carriage came the car, so we definitely need some spacy inventions to follow the old school light pen. So here it is, our new best friend: The Pixelstick!
You’ve shouted your analogue love from the rooftops and worn your heart on your sleeve – Now it’s time to take it to the next level and wear it on your skin! Our new Lomography Tattoos are fun, easy to apply and come in five designs.
Wide-angle lens are further divided into sub-classifications: Wide, ultra-wide and ultra-ultra-wide. Based on current standards, wide lenses for 35mm cameras are those with focal lengths ranging from 24 to 35mm. Lenses are considered ultra-wide if they have focal lengths from 17 to 21 mm, and ultra-ultra-wide if from 12 to 16mm. The New Russar+ is a 20mm lens; hence it falls under the ultra-wide classification. If you have an ultra-wide lens or if you intend to get the Russar+, you might as well make the most out of your precious investment. Read on for a few guidelines on shooting with ultra-wide lenses.
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!