Diana F+ are simple to use and you can get great colourful result from them. But I got bored of just having just those colours, so i stuck some colour gels in my Diana.......
Now I am quite sure that some of you might have tried this before, its not hard to figure out. But I thought I’ll just do this for those who didn’t figure it out.
This is very simple:
Step 1, open up the Diana F+.
Step 2, select some colour gel (the ones you use for the flash)
Step 3, stick it in side with some tape (it should go over the bit where you would put the correction lens in)
Step 4, load some film.
Step 5, go out and shoot some Lomograph
It’s been a long and cold winter but we’re finally getting back into the swing of things here in Chicago. We’ve got a great month of events and workshops coming up, so dust off those cameras that have been sitting around all winter and let’s take some pictures together!
The new year is still young, but it seems as if it'll be over quickly. My organizer is already filled with entries until June. 2015 will probably be worse than 2014 when it comes to having time off so I could take some analogue shots. Anyway, there are some photography-related things that I really want to get done. It is probably best to set some goals if I only have very limited time.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
I love the different styles of cameras that Lomography has, but I also like to create my own cardboard cameras that use pinholes to be able to take pictures using traditional film. This time I created the Pinhole F, a camera inspired by the Diana F+ and shoots 12 pinhole photos using 120 film.
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
I have been using the Diana extensively for the past two years. It was actually the camera that got my into film photography (something that I am so grateful for). So I have compiled a list of Diana tips for y’all…
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Here's the third and final part of my Lomography Day Trip features about Ubud. To be honest, there are a lot of places there that are worth visiting, but I just picked some of them to help you make the best of your trip. So prepare your notes or travel books and take note of the must-see places that I'll mention below. Maybe one day you'll visit Ubud.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.