When a group of Viennese students stumbled upon the Lomo LC-A a couple of decades back, they were astounded with the images the small enigmatic Russian camera could create. The photos were bathed in saturated hues and cloaked in lovely vignettes – unlike anything they had ever seen.
You’re probably familiar with the photo above, but have you ever wondered what the rest of the photos taken by those inspired students from Vienna looked like? Ever wondered how those vibrant images made such an impression that more and more people wanted the hard-to-find camera? You can stop guessing, as we are happy to take you on a walk along memory lane with some of the LC-A photos taken decades ago no other by the people who started the Lomographic Society and nurtured it to become the creative, passion-fueled movement that it is today.
The Lomo LC-A is the camera that started the Lomography movement. With full controls and wide ISO range, this automatic gem is perfect for beginners and professionals alike. Get your own Refurbished LC-A in our Shop!
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.