110 film photography can be as fun as 35mm and 120 film photography! Need a little more convincing? Take a look at these monochrome shots that play with shadows and light taken with the B&W Orca 110 film!
Monochrome shots are not new to 110 film and we’ve got photographic proof right here! These brilliantly shot photographs of the playful relationship of light and shadows offer us a unique look into the use of black and white film. All of the photos here are shot using different 110 cameras like the *Diana Baby 110* and the *Fisheye Baby 110*, all loaded with Lomography’s own *B&W Orca 100 ISO 110* film! Marvel at the grain, cutting lines of light and shadows showcased by some of our community members!
The *Lomography B&W Orca 100 ISO 110* film offers remarkable grain and rich black and grey tones that all monochrome fans will love. The portability and convenience of 110 film makes it a contender for your every-day-carry and will always find a space in your camera bag or just in your pocket. Explore more 110 film options at Lomography’s 110 Cameras and 110 Films Section at the Online Shop now.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
Are you ready for an adrenaline rush? A little while ago, we teamed up with the snowboard and film-making collective Yougofirst and gave them a LomoKino and some film rolls to play with. After a season of crazy riding, jumps and tricks, they have finished their latest movie HETEROTOPIA which features footage shot with our 35mm movie-maker. We had the chance to catch up with Vid and Matic from the collective about the new movie and their experiences shooting analogue on the slopes. It's also our pleasure to showcase the movie here!
How do you bring a fresh perspective to a landscape that has been photographed from every possible angle? Using a brand-new film, of course! With this goal in mind, I loaded some LomoChrome Turquoise XR into my Nikon 35Ti and went on a major trip across southern Utah and northern Arizona.
Kevin Meredith, more popularly known as LomoKev, is a photographer based in Brighton, England who gained notoriety for his use of the Lomo LC-A and his lomographic style of creating images. Aside from a plethora of personal and commercial projects, he has also conducted workshops on photography, written and published photography-related books, and participated in a few exhibits. With his evident passion for photography, it comes as no surprise that he was selected to test a prototype of the New Petzval 58 Bokeh Control Art Lens.
One of the things that make a trip to a far-flung place truly memorable is getting the chance to interact with the locals and share fun moments with them. Five years ago, disdis was able to do exactly that on a trip to Zinguinchor, Senegal, and it goes without saying that it was most certainly one for the books.
A self-portrait is a piece of a long narrative. It is a parcel of where you have been and what is precious to you. It is a silent version of a hello or an impactful sentence about the kind of photographer you are. Make your next statement count with a little help from your Lomography friends.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
The characters in Argus Paul Estabrook's work in paper cutting are the stuff nightmares are made of: unusual forms, jagged edges, arms outstretched as if seeking salvation—all emphasized further by the plain white background on which they are placed. Combined, these details paint a picture straight out of Dante Alighieri's "Divine Comedy."