If you're lacking in inspiration and are tired of the same journey into work each day fear not! With this simple filter technique you can inject a whole new burst of colour into your photographs. Read on for more information.
Sometimes it’s hard to be inspired to take photographs when you see the same sights day in, day out. I wanted to create some unusual photos documenting my journey work. I used my trusty LCA+ and a roll of 400 colour film.
I put a green filter over the lens and shot randomly and quickly (sticking to the Lomography rules of course!) the i rewound the film, making sure to leave a little bit out. I then re-shot the film with a red filter over the lens.
It didn’t take me too long and the results are quite interesting and very colourful! I love the random effects of creating double like this. I’m definitely doing this again but might try a stronger green filter next time. ENJOY!
This is a tutorial for the adventurous Lomographers, for those brave enough to do their own B&W and C-41 work but lacking the confidence to move onto E6. Fear no more! I am an enthusiastic home developer, just like the rest of you, I am not a chemical lab wizard! So if I can pull this off, so can the rest of you. Take a deep breath, relax, and read on. By the end of this article I hope you'll have mustered the courage to give it a go yourselves!
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.
C.S Muncy is a New York City-based freelance photojournalist and a fellow LomoAmigo who tested and reviewed the LomoChrome Turquoise film. The rolls of film were put to good use; the resulting shots were simply stunning.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
Thick smoke, soft breeze, rippled water. For Veronika Gilková, these elements deserve a touch of visual magic. In this interview, she talks about culling nature-based images with intuition and quiet wonder.