While it might sound unusual for some right off the bat, black and white film photographers do use color filters to experiment with their shots without ever needing to do some post-processing. How to do that and which filters to use to capture specific scenes? Take a look at this short instructional YouTube video clip by LZ Film Productions!
Black and white photography, unlike color, is quite a challenge because you have to put extra effort in finding the right gear, getting the correct camera settings, and composing your shots, among other things. Using color filters is usually associated with color photography, but have you ever tried of using them as well for black and white photography? If you haven’t, make sure to watch the video clip above and find out which colors to use to get certain effects – say, yellow to make skies look more natural, or orange or red to make them appear darker, or green to make leaves on trees look brighter and skies darker!
To give you an idea, here are a couple of screenshots we took from the video. The first, lighter one was taken with a yellow filter while the other one with orange! Pretty cool, huh?
Not all photographs are meant to be seen in vibrant, saturated colors, and neither are they always suitable for in black and white. Lomography welcomes yet another innovation from KONO! The Reanimated Film. Without diminishing the aesthetic value of images, KONO! Donau 35mm Film casts a distinct blue tone to photos. It is ultra-low ISO film that is best used for long exposure shots. Check out this fine selection of uniquely tinted images.
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
Aside from photography, newcomer Dmitri Berenger enjoys a multitude of hobbies including gardening, watching movies, and discovering music. In this interview, he talks about his photographic style, his inspirations, choosing film cameras over digital gear, and many more.
'Snapshot' was our Tumblr keyword this week. We spent the past few days looking at troves of fresh samples from all corners of the globe. We got lured to the most effortless variety, everyday captures upgraded to showcase compositions. We invite you to look at the ones we bookmarked for future visits.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
Lomographer Carina, or landei in the community, regards the Sprocket Rocket as a "versatile plastic camera." For her, it doesn't only take great travel snapshots but makes an interesting conversation starter as well. In this interview, Carina expounds more on what makes the Sprocket Rocket her go-to camera.