A Canon 35mm SLR from the early 90's has quickly become my go-to camera.
A gem from 1992, the “pro-sumer” Canon A2 was a tremendous find for me on eBay. Very versatile, this SLR camera features an internal light meter and most automatic shooting modes that you would find on a modern digital SLR—aperture and shutter priority, for example, as well as “portrait” and “action” settings. For those of use who are “regressing” to film from a digital SLR camera, this is a very adequate first step. The camera also uses the newer EF lens mount rather than the older FD, meaning that any EF lenses you bought for a Canon digital SLR will fit the Canon A2.
Even though I’ve collected five toy cameras since the Canon A2, I still find myself taking the bulkier A2 wherever I go and using it as my primary camera. I can use it under any conditions with any 35mm film, unlike my Ultra Wide and Slim, which I still haven’t been able to shoot because of gloomy weather. Because it looks like a modern DSLR, it’s also fun to take someone’s picture and have them get confused when they can’t see the result on an LCD.
In short, this camera will give you stunning pictures for a very low price. If you do find one of these cameras, be aware of its one major design flaw—a lock button that must be depressed before you can rotate the control dial on top of the camera. I broke mine and had to get it repaired.
Using my Canon EOS 20D, I already discovered the amazing bokeh effect of the Petzval Lens. So I was really excited to try it with my favorite digital hybrid camera, Olympus OM-D E-M5. Just attach an adaptor and off you go!
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
The most incredible lightpainting tool is here! Consists of 200 full color RGB LEDs in a lightweight aluminium housing will color your analogue world in different way! Create and animate different shades and shapes with the Pixelstick!
Kamila K Stanley is always on the cusp of an adventure. In the early part of 2015, she started inviting fellow photographers to join a collective named after a verse from "Lucy in the Sky With Diamonds." And ever the curious observer, she spent some part of the year in Turkey. With a camera and reserve of 35mm films, of course.
As a child, she would ask her peers to pose for her and photograph them using her mother's camera. That early fascination with cameras has evolved into a lifelong passion. At 25, Mandi K. Smith, the kid from Southern California who spent all her money on film, is now a full-fledged photographer.
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
Emily Soto is a New York City-based fashion and fine art photographer. With Canon 5D Mark III and Canon EOS cameras, she took photos with the Lomography 58 Bokeh Control Lens, producing a series of beautiful images that are reminiscent of renaissance portraits. She talks about the experience and the concept behind her photos in this exclusive interview.
The founder of The Pop-Up Pinhole Co., Kelly Angood, has been handcrafting pinhole cameras from scratch since 2010. After developing a huge online following from one of her early pinhole designs, she embarked on a mission to design an affordable, functional pinhole camera that could be constructed all in the comfort of your own home — and it had to look great too! Following an incredibly successful Kickstarter campaign, her mission was realized. Read on to see how it happened and what's next for Kelly and The Pop-Up Pinhole Company!
Maxime Fardeau, or Max as he is fondly called, loves film. He has been shooting analogue for about four years and owns a number of 35mm film and instant cameras, such as the Leica M6 and SLR-670 Polaroid. He has taken photos using the Lomo'Instant and the Minitar-1 Art Lens and this time around, he provides a glimpse of the images she produced with the Jupiter 3+ Art Lens.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!