The first camera in the market to have through-the-lens (TTL) metering, the Asahi Pentax Spotmatic remains a popular option today for those who are looking for a basic yet workhorse of a film camera.
Introduced by Japanese camera maker Asahi Kogaku Kogyo (later Pentax Corporation) in 1964, the Pentax Spotmatic was a fully mechanical camera apart from its light meter, which was powered by a 1.35 volt PX400 mercury cell battery. It was also one of the first cameras to come with through-the-lens exposure metering. Its prototype, introduced during the 1960 Photokina, was originally equipped with spot metering. However, shortly before production, Asahi realized that spot metering would be too difficult to use, so they made the camera with average metering instead. Since the change was done too close to the production, the opted not to change the name Spotmatic. In the United States, the Spotmatic was imported by Honeywell, and was thus called Honeywell Spotmatic.
The Asahi Pentax Spotmatic used the M42 screw-thread lens mount designed by Zeiss and Praktica before the World War II. Asahi named their high-quality lenses Takumar, and the later improved versions with multi-coating were called Super Multi Coated Takumars.
Image sensor type: film
Image sensor size: 24 × 36 mm
Film format: 35 mm
Lens mount: M42 screw mount
Focus: Manual focus
Exposure: Manual exposure
Flash: FP or X
Flash synchronization: 1/60
Shutter speed range: 1000 – 1 , B
Exposure metering: Average, through the lens (TTL)
Viewfinder: pentaprism eye-level viewfinder with a microprism focusing screen
ASA/ISO range: 20 – 1600
Film speed detection: No
Battery: Mallory RM640, but 1.5 V silver oxide batteries can be used
Process your LomoKino films the right way! Get scans, movie and negatives. This is the easiest way to turn those movie rolls into completed masterpieces! Check this service now!(Service availability depends on your markets)
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
Hundreds of thousands of photographs have been shared in the community for the past twelve months and we cannot help but commend those that really stood out and captured everyone's attention. Let's take a look back at this great year through this selection of landscapes and portraits that make up the most popular photos of 2014.
Boasting of exactly the same optics as the legendary LC-A camera, the Lomo LC-A Minitar-1 2.8/32 M Art Lens brings for the first time the signature lomographic style not only to analog, but also to the digital platform.
On this day and age when many are incorporating digital gear into their workflows, whether fully or partly, there still are photographers who remain rooted to their analog roots and continue to shoot with film cameras. In commemoration of Film Photography Day happening tomorrow, we have scoured through our past interviews to highlight the reasons these photographers choose to still shoot film.
In 1987, Herbert Morris combed through the files of his uncle, the late Herbert Habeeb. The things he left behind suggest that Mr. Habeeb was a man of staggering talent. He was an all-around science man who took excellent photos. But the mystery remains: Where did Uncle Herbert take his camera? What was the purpose of his travels? His namesake, fellow Lomographer Herbert, clues us in as to what his uncle might have been up to.
Lomography Singapore plays host to Parallel Planets’ first exhibition, "Façades: Neo-Noir Portraits Exhibition," featuring all-analog photography: a sea of black and white film portraits. This exhibition serves as a platform where both local and international photographers can express themselves by injecting individual perspectives into their craft. It also encourages viewers to look through the lens of the photographers, to see the subjects as who they are – flawed, alive, and breathing – and to also see beyond the façades we all choose to don.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
We’re so excited that the first Lomo’Instant cameras are now shipping to our Kickstarter backers around the globe. If you are one of the lucky folks who backed the Lomo'Instant on Kickstarter, we have some special competitions for you to enjoy over the next couple of weeks when you receive your camera!
There are small pleasures and big pleasures. A small one, like eating a chocolate after lunch, the first day of summer after a cold spring or finally meeting that girl you see every day on your morning commute can be more satisfying than anything else. As for me, shooting live music shows with the Petzval Lens is one of those small pleasures.