You meet a good old friend and proudly present him your new camera - but when you get the picture a few days later it turns out to be headless! Just one more headless picture for your collection... but before you get angry to your beloved camera just take the time and try out what you REALLY get on the picture!
This was one of the hardest fights I had with Lady D. – whoever I passed by and wanted to take a picture turned out to be headless. I have to submit that it’s the first time in my life I use a camera where the viewfinder is not combined with the lense. So I had to try a little trick once and since then I never had a headless picture again! (even though I started to like my crazy collection… )
I asked my flatmate to take a picture of our bathroom with his highly acclaimed digital cam, and two minutes later I had a big, printed picture of our tiled shower wall. I marked a cross in the middle, and then placed Diana 1m away from the cross, so that I could see it in the middle of the viewfinder. I marked on the printed sheet the part that I could see through my viewfinder, and then took the pictures with both objectives I have. After I got the negatives from the lab, I compared the result with the marked sheet and so could figure out the cutout that came on the picture. Then I took some non-transparent tape for fixing the part that always gets on the photo – it’s just a really, really small part, perhaps less then 50%, and now I always get the heads of my friends ;)
This is perhaps a stupid tip for versed analog lovers, but for me it was really necessary and so I would like to share it with you. It is more important for those who use a 35mm film in a 120 camera than for the others, but with a separated viewfinder and lense and a short distance you always get this difference. Please note that the difference becomes fewer, the farer you get away from your motives – but the golden rules tell us always to get as near as possible ;)
We love sharing photos! So, with the recent release of the beloved Lomo'Instant camera, we thought it would be a great idea to look at some of the best ways to share your instants with the world. Rather than letting them collect dust on a shelf or stay hidden away in a drawer somewhere, why not let everyone else in on your superb instant creations? Check out these 5 awesome ways you can do just that!
My list of resolutions for 2015 consists of 12 projects, one for every month. March was for caffenol. You have probably heard of the amazing fact that you can develop black and white photos with coffee, sodium, and vitamin C. I had tried this before but with less than stellar results. Somehow, there's always something going wrong. Time to devote a few rolls to caffenol to finally get the hang of it.
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
You've shot tons of really fantastic film photos — why not turn them into analogue prints that you can proudly showcase in your home, studio or office? If you're not sure where to have them printed, try Analogue Prints — the perfect print service for analogue photographers. Lomographers in Austria, UK, France, Germany, Italy, Belgium, the Netherlands and Spain can take advantage of this awesome service right now!
The Horizon Kompakt and Perfekt may be a bit bulkier than your usual compact cameras, but aside from taking photos of beautiful landscapes, they can also be your partners in taking pictures on the streets. Here are a few tips to get you started.
Ever looked at your camera shelf and asked yourself the existential question: What Lomography Camera best fits my style? Well, here is a quick test to help you find the answer! Just go with your gut and note down the letter for each answer you pick. And try to go with one single answer for each question. So, let's get started!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Here at Lomography, we don’t only deliver the fantastic goodies, but we also try to provide you with the wisdom you’ll need on your lomo adventures. We gave you the 10 Golden Rules, didn’t we, and it has bestowed you with a cred and attitude hat lomographers are admired for. In celebration of the Lomo-LC-A’s 30th Anniversary, we are proud to present the Lomo LC-A-to-Z, brought to you by Professor Lomo van Graphy. Watch and learn!
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
“Let me tell you about my life turning blue”. Those were the first words the guy on the bench said as he sat down beside me whilst I was eating my lunch. Usually, I prefer to eat alone but there was something about this opening sentence which really intrigued me; so I told him “Sure buddy, go ahead. Tell me about your life in blue”.
Having a Belair X 6-12 feels like owning more than just one camera. It's a medium-format camera, but paired with its special accessories you can shoot 35mm or instant photos with it, too! The versatility of its 3 photo formats also offers more options to suit your shooting needs. Here, we present to you some of the most gorgeous Belair X 6-12 photos in classic 6x6 format. Enjoy!
Your East London Lomography home is closing soon but fret not, our flagship store in Soho will still be around to satisfy all your analogue camera, film and LomoLab needs! Find out about all the details and a few treats we have lined up before the closure.
Probably each one of you has been annoyed with failed film. This is particularly annoying when you get the developed film back from the lab, but you get blanks because the film was not exposed. It's either the film transport didn't work, or you have not taken the lens cap off, etc. Read on and I'll show you an alternative to just throwing away the film: Simply use it as a color filter for your camera, with the La Sardina for example.