As far as mourning for celebrities goes, Philip Seymour Hoffman’s passing is probably one of those memorable events in my young adult life.
There are actors that act just for the sake of awards or big-budget film success. Then there are actors like Philip Seymour Hoffman. As a dilettante dabbling in appreciating film and movies, Hoffman was someone who made a mark when it comes to his film roles.
There’s just something visceral with Hoffman as he acts. As I said, I’m not an expert on this stuff but my earlier memories of seeing him perform even in the Mission Impossible franchise always stuck with me. Maybe it’s with the way his face reddens to a turnip color when his character is gobbled up by emotion or his approach to acting that almost seemed normal. He had a way in drawing emotions from deep within instead of just logically thinking about how he’d look like on screen.
His 2005 Oscar win for the biopic “Capote” is well-deserved. Not only did he look like the part as non-fiction novel pioneer and writer of celebrity status *Truman Capote* but he exuded literary elegance off the screen. One of his more recent portrayals on film as a political campaign manager in “Ides of March” schooled me on the importance of loyalty as a trait that we should practice among others. Even when pitched in with George Clooney and Ryan Gosling on screen, his cigarette-smoking character made me want to puff a stick myself.
And even as he was being held by Ralph Fiennes in the 2002 film adaptation of Thomas Harris’ action thriller “Red Dragon,” you can still feel his fear from your seat. His character maybe made you want to feel that he deserved the fiery exit but that was all Hoffman. Even as a side character, Philip Seymour Hoffman commanded attention and his selection of roles will continue to amaze viewers in the years to come.
It was the Amazon which I had longed for my whole life. And when it was finally a set deal that I will travel to Brazil with two of my best friends for the Copa do Mundo (World Cup), we really had to start our adventure in the Amazon. I had known about this magical place deep in the rainforest. There was a lodge run by local people of indigenous background, with wooden houses that float on the water and a limited number of visitors. It was eco-tourism as how it should be. To preserve and to celebrate one of the most impressive locations I have seen so far.
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
My list of resolutions for 2015 consists of 12 projects, one for every month. In February, I wanted to take one of those long exposure night shots of traffic. You know the type: nighttime cityscape, with bright red and white stripes where traffic passes. I love those shots, but I had never gotten around taking one.
The first moon landing in 1969 is just one of the many events that we celebrate every July, and so to commemorate this historic occasion as well as to kickstart the month, we have this stop-motion film by mok!
Herbert Morris has been taking photographs for almost 60 years. From being his family's event photographer, he now acts as one of the community's resident guides who's always willing to give advice—photography related or otherwise—to fellow lomographers. In this interview, Herbert shares tidbits about his life as a war veteran and how being a sneaky photographer preserved the memories of his aunt.
In the week preceding the elections for the European Parliament, several political rallies were held in Como. As with all other public events in my city I documented one of these rallies, this time using a Russian film camera Zorki 6 loaded with a black and white film roll. Take a look!
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Russell Darling is one of our Lomography UK regulars. He is a big part of our community of film fanatics and regularly joins our workshops and events. In this interview, we asked him about his experience shooting with the Lomo LC-A 120, as well as his work as visual effects practitioner for films such as "Star Wars," "Twilight," and "Godzilla."
Alfred Eisenstaedt was one of Life Magazine's greatest photographers, known for his ability to immortalize the storytelling moment of many public events in history. To write this tribute to him, I chose a subject that he photographed in different places and times: card players in public places. The photos in this article were taken at the Patronal Feast of my city Como, during a series of buraco's lessons held by a local card players club.
While many of us can only dream of working with musicians and photographing them, Angela Izzo's job entails exactly that. Apparently, this is a fulfillment of her own dream that she had when she was younger. In this interview, Izzo talks about her beginnings which, of course, included going to as many shows and festivals as she possibly can; some of her most memorable on-the-job-experiences with the likes of The Doors, Lykke Li, Jack White, Edward Sharpe and the Magnetic Zeros, and Chris Robinson Brotherhood; her inspirations and other interests; and her love for film photography and Diana Mini. And to those looking into fulfilling their own dreams of working in the same industry, Izzo also shares helpful advice based on her own experiences.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
This article is dedicated to Serge Moulinier, a largely unknown French photographer who won one of the most important prizes in France with a book on Greek architecture. Strangely, few information can be found on the Internet about this great photographer whose work had also been published in an important essay written by the famous John Szarkowski, former Director of Photography at the Museum of Modern Art in New York.