It's been quite some time since I used the Agfa CT Precisa to cross process and the results convince me time and time again.
I confess that I never develop the Agfa CT Precisa in normal processing. I find the colors when I cross process it much nicer. I really get different colors with this film but some time ago there was a Kodak Elitechrome emulsion and now a Fuji. Sometimes the different colors come from my color foils. Here’s a look at some of my favorite shots with this film:
The Agfa CT Precisa is suitable for every camera. From the simplest ones without any exposure settings up to a SLR. I highly suggest that you try this film on a Konstruktor.
With the newer emulsion (Fuji) i like the contrast between green and red. So I tend to pick every red item as a subject when I have this film loaded.
I also like the results when I use it with artificial light:
Here are some photos with a touch of blue and the old Agfa CT Precisa using a Kodak emulsion:
I also wrote some tipsters for this great film. Have a look:
With the right composition and the perfect subject, cross processing the Agfa CT Precisa guarantees spectacular, awe-inspiring results. From the delicate and scenic to the intimate and mundane, here are some views captured on cross-processed Agfa CT Precisa slide film.
It had been five years since my last visit to the Côte d'Azur in France. During this period, I took to film photography again. And so for my return, I was looking forward to capturing, with my handy film cameras, some of that special light and blue sea that had drawn so many artists to the Riviera.
Some time ago, my parents-in-law gave me an old Polaroid camera that they used during my wife's childhood. After some investigation, I found out that Polaroid had stopped making instant film. But the factory in Enschedé, the Netherlands had been taken over by The Impossible Project, so I bought a package of fresh film and gave it a try!
Done shooting and want your films to be processed? We can process your colour and black & white 35mm, 120 or 110 films! Development, prints and scans are also included. (Service availability depends on your markets)
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
The latest addition to the Lomo’Instant family! Inspired by the Icelandic midnight sky, Get endless creativity, take multiple exposed instant snapshots, experiment with long exposure and light painting shots!
Ever since the Pixelstick came out, I've been dying to try it out. This past week, I finally got my chance! With one goal in mind — getting some super cool light-painting shots — I grabbed some friends for an amazing session with my Lomo'Instant and the Pixelstick. Take a moment and have a look at these priceless pics!
There are quite a lot of festivals to choose from every summer and for sure everyone has his favorite. This June @danika, @hinny and @tomas_bates joined me for one of my favorites: Electric Castle Festival. Armed with loads of films & cameras, good mood and a lot of patience for the road to the heart of Romania, we set off to discover Electric Castle. Read on to find out what this off the radar festival has to offer!
Last year I took part in Photographia, a project that encouraged the use of cameras from the volt of Museu da Imagem em Movimento (M|i|mo). The gear collection used to belong to a well-known Portuguese TV channel (RTP) and some professional photographers. The cameras hadn’t been used since they were donated to the museum—until the launch of Photographia.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.