It's been quite some time since I used the Agfa CT Precisa to cross process and the results convince me time and time again.
I confess that I never develop the Agfa CT Precisa in normal processing. I find the colors when I cross process it much nicer. I really get different colors with this film but some time ago there was a Kodak Elitechrome emulsion and now a Fuji. Sometimes the different colors come from my color foils. Here’s a look at some of my favorite shots with this film:
The Agfa CT Precisa is suitable for every camera. From the simplest ones without any exposure settings up to a SLR. I highly suggest that you try this film on a Konstruktor.
With the newer emulsion (Fuji) i like the contrast between green and red. So I tend to pick every red item as a subject when I have this film loaded.
I also like the results when I use it with artificial light:
Here are some photos with a touch of blue and the old Agfa CT Precisa using a Kodak emulsion:
I also wrote some tipsters for this great film. Have a look:
I don't care if this film has been reviewed a zillion times, that it has already been discontinued, or that there might be a Japanese version of it. The Agfa CT Precisa that I know gives me the blues. Oh, yes - not a Chelsea FC fan, but this film is all about the color blue. Say hello to the blues!
This film has fine grain, especially when cross-processed in C41. And if you use a Lomo camera, maybe the LC-A or the LC-Wide, the results will be more interesting with strong vignettes in your pictures!
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
"Magical" here means that every time I use the Diana F+, the results are always beyond both my expectations and imagination. That's why I always use it when I feel like doing something different. It has never failed me since day one; I even always bring this camera during my trips!
Last Sunday, the local rugby team Rugby Como played the first match of the 2014-1025 season. Rugby is my favorite sport to photograph, and for some years I've been documenting almost every home match of this young team. This time I used a 1959 Zorki 5 camera with a vintage 1958 Industar-50 lens loaded with a timeless film, the Ilford HP5+ developed in a century-old developer, the mythical Rodinal. Take a look after the jump!
Shake well and apply to fabric. Blot out excess using a paper towel. Create your design using Inkofilm or anything that casts a shadow. Expose to sunlight or bright UV light for 10-20 minutes or until color reaches full saturation. Machine wash using Inkowash to remove unexposed dye. Double your exposure time in overcast weather. Enjoy the "wow" result!
2014 has been a good year for me, photographically speaking. I finally realized a few projects I had been dying to try out for a long time and, despite my resolution not to buy new ones, acquired some new cameras.
Just recently I asked myself why I would want to write about a film like the Fuji Instax Mini, because usually this film is the only one available for Fuji Instax cameras. But then it hit me! It can be an alternative to many other instant films, since I can load almost any film into my Diana F+, other medium and 135 format cameras, and of course the Fuji Instax Mini.
It's been a boiling, scorching, baking hot summer here in the Philippines since March, and believe it or not, I haven't been to the beach yet. I'm going to do something about that, but not without making another playlist for the trip! This time, I decided to make a mix inspired by the summer vacations of my younger days.