I did something VERY strange to the film! It may be quite uncommon for me to do, but I did it with E6!
Okay… I did it and I think I will do it again, well someday. One of my favourite slide films – the Fuji Sensia 200, that I like for its green and yellow tones ended up in my SLR while my whole family was around. My mother asked me to capture the “nice smile” of her grandson, so I took some pictures. But I am very sure she did not want any green or yellow tones on him again (she does not like it and can’t understand x-pro and why I LOVE it!), so I asked the lab to do a “regular” E6. That was very strange, cause my lab always does C41 on slides for me and I do not have to add that as an extra. Since it will be processed regularly, I marked the film and got the results back.
I like the color and the contrast. The results look like a good color negative film to me. So I will be doing this again now I know what comes out….
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
What exactly do I feel while waiting for my Lomo'Instant photos to be developed? I have to say I get a mix of "Surprise me, dear Lomo!" but also some "Did I capture it as I wanted?" kind of thought. No matter the school of thought, with the Splitzer you can add so many cool effects to your photos you'll definitely embrace it!
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
Really want to bring your film photos to life? We’re now offering totally analogue fine art prints in a host of large sizes and formats! Carefully enlarged from your negatives onto premium photographic paper by lab professionals, each picture is a unique piece of craftsmanship.
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
Here’s a random and rather mysterious tale for you folks. Just the other day, I was at a local bar with a few friends. It was much like any other evening; we were sipping a couple of cocktails, recounting our adventures, falling over ourselves with laughter and half-drunkenly meditating on the meaning of life (a scientist once told me it’s 42 by the way). But then something truly strange happened. Read on to hear my story and please make a comment with your guess at the end!
Read on dear friend and I will weave a story for you. There may be more questions than answers raised by this peculiar tale. But if it’s clarity you seek, have no fear, things will become clear in time (they always do, don’t they?). So rub the Sandman’s dust from your sleepy eyes and take a journey with me. If you think you have an answer when we reach the end, please do share it in the comments!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!
Her choice of soak for her photographic series "Float On" may not be everybody's cup of tea, but it can't be denied that something so unique deserves a spot in the limelight. During a recent chat with Brigette Bloom, the outlandishly experimental film photographer eagerly shared her inspiration for the series, process (a tipster!), and what she thought of people's reactions over her work, among other things. Check out the exclusive interview after the cut!