It's already 2014 and you still haven't tried the magic that is the LC-A yet? What are you waiting for? This beautiful black classic is an experience like no other. If for some reason you still aren't convinced, here's what Lomographers have to say, in this week's Reviews on Rewind.
The biggest reason to get the LC-A is that it simply takes great pictures. There’s a reason that the LC-A still thrives today. It wouldn’t get to where it is today by producing meh photos. Whether you’re a fan of lush landscapes, intimate portraits, or gritty street photography, the LC-A will deliver in spades.
My first lomographic series with my Lomo LC-A+ was taken with a Kodak Gold 200 film roll. The film was developed and scanned with a professional Afga mini-lab. I love the great contrast and the vivid colors of this camera and film combination.
No matter the weather, the light conditions or even my mood, the Lomo LC-A seems to always deliver the goods. I tried a lot of different films and I can’t say for any of them that my Lomo LC-A didn’t like it. It is one precious camera for sure.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Capture the world and all its contours in vibrant, wide-angled photographs any time, any where! The LC-A 120 is an adventure of its own with lots of exciting functions to experiment with, like seamless long exposures or full ISO control. It's also super-fast and ultra-compact - perfect for your everyday. If you're worried about the Medium Format film, don't be! You are free to use any 120 Film you want and there are plenty to choose from. In fact, that's what makes this camera so versatile! Scroll through this gallery for a little taste of the glorious shots this nifty invention is capable of.
There is nothing better than a photo shot at the perfect moment. Henri Cartier-Bresson's principle on "The Decisive Moment" is a principle that we should still follow to this day. A perfectly-timed photo creates impact, whether it's one of a friend jumping into the pool or a couple emerging from the ceremony on their wedding day. For this rumble, we want to see that breathtaking moment, shot at the perfect time. And you showed us what it's like to be on time.
Architectural photographer Christopher Payne documents America’s industrial heritage with his large format images. For his project "Asylum," he visited 70 abandoned psychiatric hospitals across to country between 2002 and 2008.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
Straight from Norway comes this pop band with a full hand of Fisheye and Sardina photos. Highasakite released its debut album in 2012 and have been hitting the album charts and playing all over the world since then.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
After a fully booked 2015, photographer Chloé Vollmer-Lo found time to test the Petzval 58 Bokeh Control Art Lens. She brought it to the Natural History Museum and the Paris business district, an endeavor that resulted in quite a few stunning, bokeh-rich images.