Photos In Minutes: What's the closest thing to going digital in the film arena? Having a Diana Instant Back with Fuji Instax Mini Installed into it!
A few weeks ago, my thesis-mates and I presented our thesis at a conference in Hong Kong Polytechnic University. I took this as a perfect opportunity to splurge my money on Lomo-things – specifically the Diana Instaback! This feature of the Diana+ is very apt for a person like me being that I am quite an impatient person. Having lived in a time where everything is done in an instant, I naturally sought this new feature immediately. I traversed across from Kowloon to Hongkong through their intricate yet very detailed MTR. Indeed it was an experience that I would never forget.
Anyway, moving on to the Instax Mini. I bought the back and as soon as I got to our hotel, I went trigger happy. I was extremely pleased with how the photos came out. After about 5-10 minutes, the image had formed there, right before my eyes as if taken from a page of Harry Potter. It was wonderful.
So here’s what I found out after using up two packs of film:
Vignetting was best when I shot my subjects against a wall with a my flash mounted on.
The film is very temperamental
Despite its 400 iso, some of my shots came out underexposed during night shooting. I suggest that you put it on bulb setting and expose the film for about 1-2 seconds.
In broad daylight on the other hand, it easily got overexposed.
Indoors, it is not advisable to shoot your subjects without a backdraft of some sort. The flash need something to bounce off and sometimes the person you’re shooting is not enough.
After about 20-30 minutes of processing, the photos still continues to get darker. I was surprised to find that even a day after I took the shot, it got even darker. It got so dark that The person I had taken a picture of was no longer visible.
What I loved most about the film was that I was able to write on its borders to make the pictures even more personalized. best to give them as gifts!
I've always wanted to have an instant camera, but what put me off were the expensive price of the film and the transience of the photos. But then I wasn't able to fight it any longer and bought myself an Instax Wide 210 set. Now, here is a review of the Fuji Instax Wide film.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
On the occasion of the German DVD release of Wim Wenders' latest documentary, "Das Salz der Erde (The Salt of the Earth)," on April 9, we asked you to send us your best black and white photographs. You have done your best and so making the decision was quite difficult. Read on to find out who will be celebrating with DVDs and piggies!
Pssst, have you heard the latest? We're unveiling a brand new product very soon, and while we can't give you any strong clues right now, we hope that you can still try to guess what it is. In honor of this mystery product, we'd like to reiterate why Lomography's 10 Golden Rules is perfectly applicable to street photography.
It’s time to add an analogue touch to all those photos taken with your smartphone! We’ve restocked the Shop with Fujifilm Instax Share SP-1, a portable and easy-to-use printer that allows you to magically transform your mobile photos, as well as scanned analogue photos, into super-cool instant snapshots. It works great with Android and iOS tablets and phones - simply transfer the images to the device by using the free Instax Share app and start printing!