Motion is something that is very difficult to show in a still photograph. Artist Laurence Demaison masterfully creates fluid motion on film using technique and vision.
Even at times of highly sensitive sensors on the latest DLSRs, it’s still hard to artfully portray motion in one frame. It’s elusive and delicate; one late click of the shutter and the action is gone. It’s fleeting and unpredictable and that’s why it’s all the more beautiful once captured.
Laurence Demaison’s works show different kinds of passing moments that are frozen in time. From blurry motions of hands and feet to self-portraits on bubbles that have formed on the surface of still water – Demaison captures them all on film and does it beautifully.
How exactly Demaison does it, we really don’t know. We can’t even imagine how the artistic process looks like. We just know that Demaison’s works stand out with keen attention to detail and vision. Everything seems to come into play when it comes to her fluid and artful creations.
“Her technical virtuosity leads us to art that revels in the extremes of visual perception. Demaison’s photographs remind me of the distortions of Kertesz, the inventive playfulness of Man Ray and Moholy-Nagy, and the multiple perspectives of the Cubists — but her work is clearly her own.”
- Jim Casper from Lens Culture
All information used in this article were sourced from Lens Culture and Laurence Demaison’s website.
Papajay is a Hong Kong-based film director who joined the LomoKino Festival in 2013. An expert at shooting movies using film, Papajay still shoots using Super 8 and Super 16 cameras for his film projects. This time, he tried a very rare medium for film-making — LomoChrome Purple 16mm Motion Film.
The Lomo LC-Wide creates an irresistible, saturated range of colors which is the perfect pairing for all you portrait connoisseurs out there. And with its brilliant 17mm Ultra Wide Angle Lens, you can get in on the action too! We loved how these proud portraits (and self-portraits) from our Online Community showed off the charming characteristics of the LC-Wide!
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
This article is a tribute to the Italian photojournalist Mario de Biasi and his wonderful book "Five Continents by Bike," a pretty series of street photographs showing people riding bicycles from all five continents. He is considered one of the masters of 20th century Italian photojournalism.
Julie Cockburn is a visual artist that goes beyond the traditional definition of "image" and turns old photographs into three-dimensional objects, adding a brand new chapter to their story.
In this exclusive interview, Cockburn talks about her artistry and overall vision.
Redscale photography is a popular technique that yields dramatic images of red and yellow by exposing color negative film back-to-front. Now meet bluescale, a simple way to achieve striking cyan photographs.
This article is dedicated to Leonard Freed's important reportage of the difficult and dangerous daily work of New York policemen, published in his 1980 book. Here I'll show you photos of public games organized by the various police forces of my hometown Como during last year's Christmas festivities. Take a look!
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
Against the grain of serious photography, Tony Ray-Jones used commercial color film to document American streets. This was a pivotal lesson in choosing colorful subjects, something he would later master in his black and white series.
Young visual artist and film photographer Timothy Tan brings back a technique considered practically obsolete by many not only to give his photography a fresh outlook, but also to help revive interest in it.