Need a negative film that will bring out all the best colors during a sunny day? The Lomography Color Negative 100 gives you fine-grained smoothness and knockout hues, which are key factors in delivering amazing photos that are both sharp and vivid. Read on for community reviews for this stunning film.
This is a fine film, with natural colours and is faithful. Thanks to the low sensitivity the Lomography CN 100 is a film that is in almost all situations, a little like the old Kodak Color Plus and can be used almost always, with good results.
Lomography’s CN100 is a great film to experiment because of its great consistency, realistic color representation and low grain. The colors you get using CN100 film are usually a fairly good representation of what you see through the viewfinder the moment you make the shot. No more, no less. Which is exactly why it is such a great film for me: I know that no matter what I throw at it, I have a consistent baseline on which to build and compare the results.
Classy, moody photographs in monochrome and with fine grain - what more could you ask for from one of Lomography's very own black and white emulsion for standard 35mm cameras, the Earl Grey? Find out how this film fared among six of our community members in this Reviews on Rewind installment!
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.
Roberto wanted to get redscale films during his visit to a Lomography shop in Amsterdam. Due to some twist of fate, the shop did not have stocks of it at that time. So, he ended getting rolls of Lomography Color Negative 400 instead.
Little did he know, this film is what he exactly needs to have a complete Lomography experience. Read on to find out more about robertofiuza and his Weapon of Choice - Lomography Color Negative 400!
Unfortunately, it happens sometimes that your resulting pictures are not what you expected - the image doesn't look that good, the colors are bland, and the subject is banal. Indeed, it couldn't be picture of the year! Herein I propose a second chance for your pictures by modifying your 35mm negatives. Just pick up some ideas from here, experiment, and scan your negatives with the Lomography Smartphone Scanner. Anything is possible: burning, scratching, putting on hydrochloric acid, balsamic vinegar, nail polish, bleach, or raspberry juice... use your imagination and write down your new film soup recipe! You can find a sample of the effects in this article.
The spying globes on Teufelsberg are the not-so-secret insider tip for Berlin’s urban ruins and interesting freak show architecture. Even if you’re reluctant, one thing's for sure: the “Devil’s Mountain” is just plain awesome. The torn-up globe structures of the former military territory are just waiting to be conquered by lomographers… so what are you waiting for?
Marcus DeSieno is a Tampa-based photographer who specializes in merging early and modern photographic processes for his body of work. In this exclusive follow-up feature, DeSieno opens up about his process and gives a detailed walk through on his odd yet undeniably fascinating series, "Cosmos," which was previously featured here on the Lomography Magazine, and "Parasites."
Eric Marais is the founder of the portable dark-room experience, STENOFLEX. We recently had the chance to ask him some questions and he was kind enough to answer us! Read on to find out more about his company, his interest in photography and what's next for STENOFLEX!