Back in 1980, photographer Reid Blackburn was killed while on assignment photographing the volcano Mt. Saint Helens. One of the late photographer's rolls was recently discovered and developed!
Photographer Reid Blackburn of The Columbian was on assignment covering the rumbling volcano Mt. Saint Helens when it violently erupted, killing him and 56 others in the process. His camera, shown below, was too damaged to salvage any shots from it. It seemed like we’ve seen the last of photojournalist Reid Blackburn’s images.
That was until recently when a photo assistant at the Columbian found a roll that Blackburn shot and left at the office a week before the infamous explosion. The roll was developed and you can still see the volcano’s conical summit before it got blasted off. This, along with the news of a 100-year-old box of negatives biscovered by in Antarctica really makes you think about what other analogue treasures remain undiscovered to this very day.
The Rescued Film Project collects, develops and archives undeveloped or unwanted film from all over the world. Recently, the group acquired 31 rolls at an auction in Ohio, which, as it turns out, were from World War 1 and featured some amazing photographic footage of that time. Founder and film technician Levi Bettwieser talks about this exciting project.
During the long nights around Christmas, the China Light Utrecht Festival was held in my hometown. On our visit, I brought my trustworthy Nikon F80 to shoot some pictures. Finally, the rolls came back from the lab recently and I was stunned by the results!
"A Drop in the Ocean" looks back on the archives of Sergio Romagnoli, an Italian naturalist who was murdered twenty-one years ago. The book reveals a photographic talent that was never celebrated in Romagnoli's lifetime.
I recently had the opportunity to take the world’s most creative instant camera — the Lomo'Instant — for a stroll on an unusually warm and sunny November day. My goal was to acquaint myself with the endlessly cool features and infinite possibilities the camera possesses while creating some beautiful photographs in the meantime. Read on to see the results!
Koh Sze Kiat is a part of Oddinary Studios, a Singapore-based photographers' collective that specializes in commercial, advertising, editorial and wedding assignments. He shot with the New Petzval Lens recently, and shares his favorite photos and insight in this exclusive interview.
Sonja started her analog adventures during her teenage years. She took her first film photographs when she was 13 and has been in love with the magic of the process since. Her idea of a perfect day involves developing film rolls while listening to jazz and having a cup of tea in between. In this interview, she recalls about her experience with her first Lomography camera, a Holga 120 CFN.
We recently had the great opportunity to interview our latest LomoAmigo, Tim Kerr. While his repertoire stretches back to the late 1970's and includes that of musician, artist, painter, photographer, skater and many other things, he just prefers Tim! We gave him a La Sardina DIY, which he not only added his own style to, but shot some excellent photos with as well. Rife with candid and thoughtful answers, we expect everyone will glean a nugget of wisdom and leave with a smile.
At the beginning of November, I went to Madrid for the first time. I wanted to bring back home unique memories and photographs of what I was going to discover in the Spanish capital, so I brought the Petzval Lens with me to capture this trip within a beautiful swirling bokeh.
Joe Brook is one of the most popular photographers in the West Coast skate scene, shooting for magazines like Trasher, Juxtapoz, Rolling Stone, and different outlets such as PDN and Kodak. Having previous experience with an old Petzval lens mounted on a 4x5 camera, it was but natural for him to try the new one. Brook talks about finding himself, his work, and shooting with the Lomograhy Petzval Lens in this exclusive interview.
When a truly fascinating photograph hits you, it’s powerful enough to transport you to the story that is being told in that image. Such is what happens when one sees Suji Park's work for the first time. It’s as if you can actually hear and feel the details of each snapshot — the warmth of a late afternoon sun, the complex silence of nature or a dry and nostalgic solitude.
It's late October in Copenhagen and summer was well and truly behind us. With the nights drawing in, the chances of going out with one of my cameras was slim. All was not lost at this time of year, however, as it allowed me time to focus on my own personal music projects—I am a professional composer/musician and audio engineer at my own studio by day.