Still yearning the loss of Kodachrome? Let's not think of it as a loss but instead a privilege of being able to work with the best!
Sometimes it’s easy to forget how amazing Kodachrome was. A variety of factors come into play: only a couple of pros use it, developing is a hassle, and rolls are scarce to name a few. You immediately equate the good shots because professionals took it and move on. The new tumblr account Photo Archaeology however, shows just how versatile Kodachrome was. Collecting a mix of Kodachrome slides from the 50’s, Photo Archaeology shows the incredible dynamic range and sheer beauty of the late film.
Have a look at some more of the photos uploaded, and let’s all take a moment of silence in appreciating and recognizing one of the analogue photographic pillars of our time.
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
The Glastonbury Festival is arguably one of the most anticipated and renowned music festivals in the world. It is a joy to be able to watch it, and a privilege to capture scenes on and off stage. Apart from creating beautiful portraits, the Petzval Lens is great for adding an albeit subtle drama to the already spectacular scenes of music festivals. Japanese photographer Taio Konishi photographed this year's Glastonbury with a Petzval 85mm Lens, and here are some of the photos. He also talks about his Petzval-meets-Glastonbury experience in this exclusive.
These blue-tinted photographs were taken by Edward S. Curtis, renowned ethnologist and photographer who had also worked on the set of the 1923 silent epic film not only as still photographer but also as the second unit cameraman.
How We Used to Live is a beautiful film by Paul Kelly using archive footage of London from the 1950's right up to the 1980's. It's a fascinating analogue film with a great soundtrack from St Etienne. Read on for more information.
For the last year we've been working on the next version of Lomography. We based our work on the feedback you’ve given us over the years and we wanted to share it as early as possible with you and can’t wait to hear what you think. Just one warning first: it is still in development and things can break. All the photos, comments, likes, homes and everything else were transferred as of October 16th, 2014. So anything you do on next.lomography.com won't be reflected on www.lomography.com and vice versa. Once we are done with testing, everything you did here will be deleted again. So this is a big playground for you to explore.
By going on a photo walk waggrad00 was not only able to de-stress, she also had the chance to meet several interesting people along the way. One of them was this homeless fellow who made her as well as many others' day better with a small but thoughtful gesture.
There's a certain air of sadness in Nishe's portraits. More often than not, the faces of her subjects are either partially or completely hidden. Sad, yes, but undeniably beautiful. Melancholia, as well as loss of innocence and the pains of growing up, are recurring themes in the photographer's body of work and she presents all these quite gracefully.
A freelance music designer with a strong penchant for analog photography, David Elalouf has been sharing his wonderful photographs in the community for 10 years now. His LomoHome not only became an avenue for him to share his work but also a bridge that forged strong friendships with fellow lomographers. Let's welcome our newest LomoGuru from Paris, France, dudizm!
With exceptional craftsmanship and features, the New Russar+ is indeed a fine piece of photographic gear. It's then only but right to photograph only the best images with this lens. That being said, here are a few tips to help you not only find the appropriate subjects, but also properly frame and capture them.
Someday, getting rid of unwanted memories will be as easy as popping a pill and waiting a few hours for the desired effect to kick in. Literally a bitter pill to swallow (you'd think that with all the advancements in science then, they would've already made, say, fruit-flavored ones like the vitamins you loved as a kid), sure, but effective nonetheless.
Jack Lowe has been traveling round the UK with the aim to shoot every RNLI post using Wet Plate Collodion photography. The Lifeboat Station Project photography is a five-year photographic mission that makes use of a painstaking process. It is a fascinating, much talked about project that deserves to be documented, not just through words but through images as well.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.