I just went to the Mecca of film camera hunters and enthusiasts in Manila yesterday. All I can say is that I’m still buzzed with the experience.
I’ve heard from many people that Hidalgo is the place to be when you’re looking for great camera and film finds in Manila. Ever since, I really wanted to try the experience for myself and see what they’re talking about. Just yesterday, I scoured the streets with an old buddy of mine and we got a whiff of what Hidalgo had to offer.
We were hunting for good films to use and we found some expired rolls. We kinda liked the fact that we can experiment with different brands of expired film and we were excited to see what effects they can produce. Fuji and Kodak were the headliners and I got myself 5 rolls in all. In one store that we visited, something caught my eye. Neatly compiled on a cabinet was a cool collection of old film cameras. The Rolleiflex TLR was begging for my attention along with different predecessors of Canons, Nikons and Yashicas. It was camera heaven.
I asked the lady at the counter if the cameras were for sale and she shook her head. She said that those are for display only and that they had no intention of selling them. I couldn’t really blame them! Those were good-looking cameras. I guess I have to look further if I want to find myself a cool vintage camera of my own.
Everything in the narrow streets of Hidalgo is worthy of your attention. I can’t explain it fully. You have to experience it for yourself, too. Hopefully, I can have photographs to share with you guys the next time I go back to Hidalgo. All I can say now is that I can still see the images of those cameras fluttering around my head.
Judging by the design alone, this panoramic camera looks every bit the panoramic camera it says it is. What's special about it is not the fact that it shoots on 120 film, but rather it was handmade at a home workshop.
Did you enjoy shooting with Cine200 Tungsten Film when it launched? Or were you one of the unlucky many who missed out on this ultra-limited edition emulsion? Well, we’re thrilled to say we have an exciting follow-up to Cine200 which will launch in just a few days! And as the other film sold out so fast, we wanted to give you the opportunity to sign-up to our list to get the news as soon as it happens.
Get ready to think fast and shoot faster! Today, we are thrilled share with you news of the brand new LC-A 120 Camera. Load it with any 120 film roll and experience the thrill of medium format photography. You’re sure to soak up all the action in every square shot with its fantastic 38mm f/4.5 wide-angle lens (equivalent to a 21mm lens on a 35mm film camera). It's available for Pre-Order: Extremely limited first batch stock of only 500 cameras!
Perhaps you’ve already had chance to try light painting, multiple exposures and long exposures with your Lomo’Instant, but what can you experiment with next? Well, that’s exactly the thought I had which led to giving this Tipster a go. I wanted to shoot Lomo’Instant photos which felt a bit “messier” than what I’m usually used to and to use a technique which would open up new possibilities with the kinds of images I could create with my favorite instant camera. Well, here I go!
Some people say instant photos bring about a feeling of nostalgia. Although I often use the Lomo'Instant Camera with different crazy accessories such as the Splitzer and color gels, I have to agree there is something about it — dreamy vignettes maybe? — that always makes me want to go back in time and experience it all over again. In the name of analogue photography and good old memories, we passed by some classic spots in Vienna and took one shot after the other. Take a closer look at our gallery.
The story between the Spinner 360 and I goes way back to the year 2010, when Lomography decided to send me a beta model of the Spinner 360 to test. It was a complete surprise! I thought, "What the hell is that?" as I first took this camera out of the package. Then, when my little brother grabbed it from me and pulled the cord, it buzzed and turned 360°! We all had the same expression: "Whoa..."
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
"When I picked up the Lomo LC-A for the first time. I was truly inspired," says Christopher Logan, who accepted the challenge to shoot NY Fashion week with the LC-A+ Camera. Read more of his experience after the jump and get to know why the LC-A+ is the perfect camera for fashion shows.
Throwing chemicals, fire, and scratching emulsion are just a few ways of experimenting with film. But there's another process that completely destroys it (or, if you're lucky, creates something amazing), that is as spastic as a drunken man staggering his way home after a night at the pub - literally.
And it all comes down to darkness.
Recently, I used my trusty Fuji Silvi. It may not be my all-time favorite camera, but I just wanted to use it because I kind of missed shooting with it. So I decided to look through my film stash to see what I could use with the Fuji Silvi. After much consideration, I ended up picking the old Agfa CT Precisa ISO 100 to get that classic blue tone. Silvia Precisa!