Those aren’t two guys walking on water, but the product of a film swap between two guys and some serious cooking.
*Fotobes* from the United Kingdom and *hodachrome* from Japan swapped a roll of film, and concocted some film soup. This is one of the images that came out. Hodachrome used this recipe to make the soup in Japan, but fotobes did his share of experimental cooking as well.
On completing the roll, I mixed together some boiled water with silica gel and washing detergent, and left it to cool a little. Then I went into my make-shift darkroom and pulled out the film from the canister. Next I flicked and dabbed the soup onto the exposed film. I waited for a few minutes and then rewound the film into the canister. Afterwards I went to the kitchen and dropped the film into just-boiled water, and after 5 minutes I transferred it into cold water for a minute. Then back in the darkroom I pulled the film out from the canister again and dried it with a hairdryer, and when done I rewound the film.
Congratulations to fotobes and also hodachrome for your winning shot!
Far from the romanticized images we see on television, kitchens are marred by a mesh of savage industrial hardware, organic flesh and bones, and the souls that inhabit it, as photographer Mike Kumagai discovered. His series exposes some of the notions we carry of kitchens and cooking in the only medium befitting of the task: 35mm film.
April is going to be packed with cool workshops and events for Worldwide Pinhole Photography Day and Film Photography Day. We’ve also been working with Treehouse Hawaii on a film swap and Jones Soda on a photo contest, and we’re going to be showcasing the photos at an awesome event at the store!
By going on a photo walk waggrad00 was not only able to de-stress, she also had the chance to meet several interesting people along the way. One of them was this homeless fellow who made her as well as many others' day better with a small but thoughtful gesture.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the second part of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
In December last year James Wright, editor and creative director of So It Goes Magazine, went on a two-week trip to Sri Lanka, "a place so long on our bucket list, but up until then, as yet unvisited," he writes on the first of his three-part photo diary. Herein is the first of his series that chronicles his adventures, highlighted by a selection of breathtaking images of the Sri Lankan countryside and the locals, among many other images, captured with his trusty photographic companions: the Leica MP, Lomo LC-A+, and an assortment of films including the LomoChrome Purple.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!