This is a super fun bowling alley on the Berlin turnpike, which was one of the original highways before we had real highways in America in the '50s. Anyways there are all manner of good popular bowling alleys down the street but this one is out of the way and no one really goes there.
This is a super fun bowling alley on the Berlin turnpike, which was one of the original highways before we had real highways in America in the ’50s. Anyways there are all manner of good popular bowling alleys down the street but this one is out of the way and no one really goes there.
Lazer bowling at night and it has a karaoke bar inside the alley with cheap beer served in a giant bowling ball looking vase thing. It is so fun for lomo because of the lights, the original 50s bathroom and locker room oh oh and all the low class doozies, and if that isn’t good enough you can go bowling as well oh here is their cheesy ass website -
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.
According to our latest LomoAmigos Berlin Sessions, there is one camera this summer which you always carry with you - our beloved Lomo'Instant! The camera is accompanying the crew of the Berlin-based video magazine on their acoustics sessions all over the city and on the hippest festivals in Germany. Learn more about Berlin Sessions and their Lomo'Instant festival tour in this exclusive interview!
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"Is it acceptable to photograph the homeless?" is one of the most hotly-debated topics when it comes to street photography. There are two opposing sides to this: those who believe it is, and those who don't. For those who do, capturing such photographs is mere documentation of the world around us. For those who don't, doing so is a form of exploitation.
It is clear from the wild variety of photos in the website that Lomographers will do just about anything to get a good shot. Some swap rolls with friends overseas while others concoct unheard-of film soups. And then there are the masters of operations, the ones who spy and crouch their way to a share-worthy picture. This is one such story.
Some lomographers prefer to hoard as many analog cameras their shelves and budgets can support. Some would rather keep a manageable number that they can regularly shoot with. Community member Joshua Kennedy belongs to the latter group. From 40 cameras, he downsized his collection to 13, as he puts it, "really good ones" that suit his shooting habits and style. In this interview, he breaks down his small yet dependable arsenal of vintage and handmade cameras and how an organized schedule allows him to shoot with each one on a regular basis.
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.
Geoffrey Berliner is the Executive Director of the Penumbra Foundation and the Center for Alternative Photography in New York. As the head of an organization whose goals are 'to be a comprehensive resource for photographers at any level' and 'to continue to publicize the impact photography has had and continues to have on culture, history and the arts,' his exposure to photographic materials -from 19th century gems to modern equipment- is so extensive, one cannot even begin to fathom just how much knowledge and experience this man has acquired. His collection of over 2000 vintage Petzval lenses is unparalleled, and the object of envy of both traditional and contemporary photographers. Although such lenses are reputed to require a certain level of skill to be used, Berliner seems to manage them with so much ease, producing splendid results.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!